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Period 18th century-19th century

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George Dance "Curtius Leaping into the Gulph"
George Dance, 1741–1825
"Curtius Leaping into the Gulph"
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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James Malton A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq.
James Malton, 1761–1803
A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq
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Thomas Stothard A Family Group at a Cottage Door
Thomas Stothard, 1755–1834
A Family Group at a Cottage Door
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Thomas Miles Richardson Sr. A View of Edinburgh Castle from Candlemaker Row
Thomas Miles Richardson Sr., 1784–1848
A View of Edinburgh Castle from Candlemaker Row
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Sir William John Thompson A Young Man Facing to his Left, from a Pair of Portraits, Probably Brothers
Sir William John Thompson, 1771–1845
A Young Man Facing to his Left, from a Pair of Portraits, Probably Brothers
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Henry Phillip Hope Adrian Hope's House I: Dining Room - Plan and Wall Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
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Henry Phillip Hope Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
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Henry Phillip Hope Adrian Hope's House I: Elevation of Library Cabinet
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
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Henry Phillip Hope Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
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Henry Phillip Hope Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls..
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
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Henry Phillip Hope Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
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Henry Phillip Hope Adrian Hope's House I: Plan of Pipes
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
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Henry Phillip Hope Adrian Hope's House I: View of Entrance Hall Towards Staircase
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
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Henry Phillip Hope Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
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Henry Phillip Hope Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
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Henry Phillip Hope Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
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Henry Phillip Hope Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
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Henry Phillip Hope Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
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Henry Phillip Hope Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
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Henry Phillip Hope Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
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Henry Phillip Hope Adrian Hope's House II: Drawing Room - Plan and Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
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Henry Phillip Hope Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
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Henry Phillip Hope Adrian Hope's House II: Furniture Designs
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
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Henry Phillip Hope Adrian Hope's House II: Gallery - Plan and Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
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Thomas Rowlandson Antique Seat of White marble / from the Original at Rome
Thomas Rowlandson, 1756–1827
Antique Seat of White marble / from the Original at Rome
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Henry Phillip Hope Arabes
Henry Phillip Hope, active 1799–1818
Arabes
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Rev. William Warren Porter Architectural Sketch and Horses
Rev. William Warren Porter, 1776–1804
Architectural Sketch and Horses
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Thomas Stothard Battle Scene (probably intended for Hume's "History of England")
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
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Thomas Stothard Battle Scene (probably intended for Hume's "History of England")
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
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Henry Phillip Hope Bedgebury: Alternative design for Pavilion Window
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
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Henry Phillip Hope Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
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Henry Phillip Hope Bedgebury: View of Interior of Pavilion (3 of 4)
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
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Henry Phillip Hope Bedgeway: View of Interior of Pavilion... (4 of 4)
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
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James Sharples Captain Webber
James Sharples, ca. 1751–1811
Captain Webber
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Henry Phillip Hope Cariatides d'Athenes
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
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Rev. William Warren Porter Cattle in a Landscape
Rev. William Warren Porter, 1776–1804
Cattle in a Landscape
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unknown artist Christ Church Port Stanley, Ontario
unknown artist
Christ Church Port Stanley, Ontario
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John White Abbott Classical Composition
John White Abbott, 1763–1851
Classical Composition
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
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unknown artist Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
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unknown artist Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
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unknown artist Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
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