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Period 19th century

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Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

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John Constable Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
John Constable, 1776–1837
Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
1829
On view at YUAG
John Constable Stratford Mill
John Constable, 1776–1837
Stratford Mill
1819 to 1820
On view at YUAG
Joseph Mallord William Turner Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
Joseph Mallord William Turner, 1775–1851
Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
1818
On view at YUAG
Joseph Mallord William Turner Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
Joseph Mallord William Turner, 1775–1851
Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
between 1833 and 1834
On view at YUAG
Joseph Mallord William Turner Inverary Pier, Loch Fyne: Morning
Joseph Mallord William Turner, 1775–1851
Inverary Pier, Loch Fyne: Morning
ca. 1845
On view at YUAG
Joseph Mallord William Turner Staffa, Fingal's Cave
Joseph Mallord William Turner, 1775–1851
Staffa, Fingal's Cave
1831 to 1832
On view at YUAG
Francis Danby A Mountain Chieftain's Funeral
Francis Danby, 1793–1861
A Mountain Chieftain's Funeral
ca. 1848
Not on view
Samuel Palmer The Harvest Moon
Samuel Palmer, 1805–1881
The Harvest Moon
ca. 1833
Not on view
John Constable Hadleigh Castle
John Constable, 1776–1837
Hadleigh Castle
1828 to 1829
Not on view
John Constable Dedham Lock
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
John Constable Ploughing Scene in Suffolk
John Constable, 1776–1837
Ploughing Scene in Suffolk
1824 to 1825
Not on view
John Constable Dedham Lock
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
John Constable Hampstead Heath, with a Bonfire
John Constable, 1776–1837
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
John Constable Somerset House Terrace from Waterloo Bridge
John Constable, 1776–1837
Somerset House Terrace from Waterloo Bridge
ca. 1819
Not on view
John Constable Stormy Sea, Brighton
John Constable, 1776–1837
Stormy Sea, Brighton
ca. 1828
Not on view
John Constable Study of a Cloudy Sky
John Constable, 1776–1837
Study of a Cloudy Sky
ca. 1825
Not on view
John Constable Mary Freer
John Constable, 1776–1837
Mary Freer
1809
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1822
Not on view
John Constable A Cloud Study, Sunset
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
John Constable Undergrowth
John Constable, 1776–1837
Undergrowth
ca. 1815
Not on view
Richard Parkes Bonington Beached Vessels and a Wagon near Trouville
Richard Parkes Bonington, 1802–1828
Beached Vessels and a Wagon near Trouville
ca. 1825
On view at YUAG
Sir John Everett Millais L'Enfant du Régiment
Sir John Everett Millais, 1829–1896
L'Enfant du Régiment
1854 to 1855
On view at YUAG
Richard Parkes Bonington A Fish-market near Boulogne
Richard Parkes Bonington, 1802–1828
A Fish-market near Boulogne
1824
On view at YUAG
Richard Parkes Bonington Corso Sant'Anastasia, Verona
Richard Parkes Bonington, 1802–1828
Corso Sant'Anastasia, Verona
1828
On view at YUAG
Richard Parkes Bonington Near Quillebeuf
Richard Parkes Bonington, 1802–1828
Near Quillebeuf
between 1824 and 1825
On view at YUAG
Sir Thomas Lawrence George James Welbore Agar-Ellis, later first Baron Dover
Sir Thomas Lawrence, 1769–1830
George James Welbore Agar-Ellis, later first Baron Dover
1823 to 1824
On view at YUAG
Joseph Mallord William Turner Off the Nore
Joseph Mallord William Turner, 1775–1851
Off the Nore
between 1840 and 1845
Not on view
William Blake Virgin and Child
William Blake, 1757–1827
Virgin and Child
1825
Not on view
George Henry Harlow Henry Fuseli
George Henry Harlow, 1787–1819
Henry Fuseli
1817
Not on view
Richard Parkes Bonington Seated Turk
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
James Ward Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
James Ward, 1769–1859
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
ca. 1803
Not on view
Philip Reinagle The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
James Ward Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
James Ward, 1769–1859
Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
1814
Not on view
James Ward Self-Portrait
James Ward, 1769–1859
Self-Portrait
1830
Not on view
Ramsay Richard Reinagle An Ornithologist, Possibly John Latham
Ramsay Richard Reinagle, 1775–1862
An Ornithologist, Possibly John Latham
1802
Not on view
David Roberts The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
David Roberts, 1796–1864
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
1849
Not on view
George Jones A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
John Martin The Deluge
John Martin, 1789–1854
The Deluge
1834
Not on view
Sir Thomas Lawrence Lord Granville Leveson-Gower, later first Earl Granville
Sir Thomas Lawrence, 1769–1830
Lord Granville Leveson-Gower, later first Earl Granville
between 1804 and 1809
Not on view
Jacques-Laurent Agasse Clouded Leopards
Jacques-Laurent Agasse, 1767–1849
Clouded Leopards
ca. 1825
Not on view
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
Richard Parkes Bonington A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
Richard Parkes Bonington In the Forest at Fontainebleau
Richard Parkes Bonington, 1802–1828
In the Forest at Fontainebleau
ca. 1825
Not on view
John Martin Belshazzar's Feast
John Martin, 1789–1854
Belshazzar's Feast
1820
Not on view
John Linnell The Rest on the Flight into Egypt
John Linnell, 1792–1882
The Rest on the Flight into Egypt
ca. 1827
Not on view
Thomas Woolner Sir Charles Nicholson
Thomas Woolner, 1825–1892
Sir Charles Nicholson
1854
Not on view
Thomas Woolner William Charles Wentworth
Thomas Woolner, 1825–1892
William Charles Wentworth
1854
Not on view
Samuel Palmer A Moonlit Scene with a Winding River
Samuel Palmer, 1805–1881
A Moonlit Scene with a Winding River
ca. 1827
Samuel Palmer Ancient Trees, Lullingstone Park
Samuel Palmer, 1805–1881
Ancient Trees, Lullingstone Park
1828
Samuel Palmer Foxgloves
Samuel Palmer, 1805–1881
Foxgloves
undated
Samuel Palmer Brambles
Samuel Palmer, 1805–1881
Brambles
undated
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
Joseph Mallord William Turner Fluelen: Morning (looking towards the lake)
Joseph Mallord William Turner, 1775–1851
Fluelen: Morning (looking towards the lake)
1845
Joseph Mallord William Turner The Channel Sketchbook
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
Joseph Mallord William Turner Vesuvius in Eruption
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
between 1817 and 1820
Joseph Mallord William Turner Upper Fall of the Reichenbach: Rainbow
Joseph Mallord William Turner, 1775–1851
Upper Fall of the Reichenbach: Rainbow
1810
William Blake Jerusalem, Plate 32, "Leaning against the pillars...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 62, "Repose on me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 57, "And the voices of Bath...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Jerusalem, Plate 2, Title Page
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake Jerusalem, Plate 41, "Bath who is Legions...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
1804 to 1820
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
Conrad Gessner Cavalry Charging
Print made by Conrad Gessner, 1764–1826
Cavalry Charging
1801
John Frederick Lewis A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
John Frederick Lewis Sheik Hussein of Gebel Tor and His Son
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
John Frederick Lewis Study of a Lion and Study of a Lioness' Head
John Frederick Lewis, 1804–1876
Study of a Lion and Study of a Lioness' Head
ca. 1820
John Frederick Lewis Study of a Lioness
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
John Frederick Lewis Seated Turk
John Frederick Lewis, 1804–1876
Seated Turk
between 1840 and 1841
William Haygarth Crater of Vesuvius
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
George Fennell Robson Tryfan, Carnarvonshire
George Fennell Robson, 1788–1833
Tryfan, Carnarvonshire
1826
David Roberts The Great Temple of Amon Karnak, The Hypostyle Hall
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
Thomas Daniell Two Studies of an Indian Elephant's Head
Thomas Daniell, 1749–1840
Two Studies of an Indian Elephant's Head
ca. 1840
John Sell Cotman Castle Acre Priory, Norfolk
John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk
ca. 1804
Robert Hills Tree Study
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
William Ward The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Print made by William Ward, 1766–1826
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
December 1, 1801
Anthony Vandyke Copley Fielding A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
1834