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Exhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Search Results
1
- The Horse
- ca. 1805
- Not on view
2
- Virgin and Child
- 1825
- Not on view
3
- The Crescent Moon
- undated
4
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
5
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
6
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
7
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
8
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
9
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
10
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
11
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
12
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
13
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
14
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
15
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
16
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
17
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
18
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
19
- Jerusalem, Plate 51
- 1804 to 1820
20
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
21
- Jerusalem, Plate 100
- 1804 to 1820
22
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
23
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
24
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
25
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
26
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
27
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
28
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
29
- Water; Plate 4
- 1793
30
- Earth; Plate 5
- 1793
31
- I Want! I Want!; Plate 11
- 1793
32
- Aged Ignorance; Plate 13
- 1793
33
- Help! Help!; Plate 12
- 1793
34
- Does Thy God O Priest Take such Vengeance as This?; Plate 14
- 1793
35
- Alas!; Plate 9
- 1793
36
- Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
- 1789
37
- Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
- 1789
38
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
39
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
40
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
41
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
42
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
43
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
44
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
45
- Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
- 1794
46
- Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
- 1794
47
- Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
- 1794
48
- Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
- 1794
49
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
50
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
51
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
52
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
53
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
54
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
55
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
56
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
57
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
58
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
59
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
60
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
61
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
62
- America. A Prophecy, Plate 2, Title Page
- 1793
63
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
64
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
65
- The Book of Thel, Plate 2, Title Page
- 1789
66
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
67
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
68
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
69
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
70
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
71
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
72
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
73
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
74
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
75
- The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
- 1794
76
- The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
- 1794
77
- The First Book of Urizen, Plate 14 (Bentley 14)
- 1794
78
- The First Book of Urizen, Plate 18 (Bentley 21)
- 1794
79
- The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
- 1794
80
- The First Book of Urizen, Plate 22 (Bentley 24)
- 1794
81
- The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
- 1794
82
- The First Book of Urizen, Plate 24 (Bentley 26)
- 1794
83
- The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
- 1794
84
- Fire; Plate 7
- 1793
85
- My Son! My Son!; Plate 10
- 1793
86
- Fear & Hope Are -- Vision; Plate 15
- 1793
87
- The Traveller Hasteth in the Evening; Plate 16
- 1793
88
- I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
- 1793
89
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
90
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
91
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
92
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
93
- Jerusalem, Plate 76
- 1804 to 1820
94
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
95
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
96
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
97
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
98
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798