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1. St. Paul's Cathedral

St. Paul's Cathedral
Creator:
Canaletto, 1697–1768
Date:
ca. 1754
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 24 3/4 × 28 3/4 × 1 3/4 inches (62.9 × 73 × 4.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. A View of Lambeth

A View of Lambeth
Creator:
unknown artist
Date:
ca. 1770
Materials & Techniques:
Oil on panel
Dimensions:
12 1/4 x 17 1/8 inches (31.1 x 43.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company

Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
Creator:
Samuel Scott, 1701/2–1772
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
31 1/4 x 59 1/4 inches (79.4 x 150.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. St. Paul's and Blackfriars Bridge

St. Paul's and Blackfriars Bridge
Creator:
William Marlow, 1740–1813
Date:
between 1770 and 1772
Materials & Techniques:
Oil on canvas
Dimensions:
20 3/16 x 29 3/8 inches (51.3 x 74.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Thames at Lambeth Palace

Thames at Lambeth Palace
Creator:
unknown artist
Date:
after 1745
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 × 44 1/8 inches (62.2 × 112.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. A View of the Cathedral and City of Lincoln from the River

A View of the Cathedral and City of Lincoln from the River
Creator:
Joseph Baker of Lincoln, active 1742–1770
Date:
ca. 1760
Materials & Techniques:
Oil on canvas
Dimensions:
32 9/16 x 43 1/4 inches (82.7 x 109.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. The City from Near the Terrace of Somerset House

The City from Near the Terrace of Somerset House
Creator:
Canaletto, 1697–1768
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 21 × 34 1/2 inches (53.3 × 87.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. The Thames at Westminster

The Thames at Westminster
Creator:
Claude de Jongh, ca. 1600–1663
Date:
ca. 1630
Materials & Techniques:
Oil on panel
Dimensions:
17 1/16 × 23 3/4 inches (43.3 × 60.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. A View of Edinburgh from the West

A View of Edinburgh from the West
Creator:
Alexander Nasmyth, 1758–1840
Date:
1822 to 1826
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/4 x 36 1/4 inches (61.6 x 92.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. London Bridge, with St. Paul's Cathedral in the distance

London Bridge, with St. Paul's Cathedral in the distance
Creator:
William Anderson, 1757–1837
Date:
1815
Materials & Techniques:
Oil on panel
Dimensions:
6 3/8 x 12 3/4 inches (16.2 x 32.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. Frost on the Thames

Frost on the Thames
Creator:
Samuel Collings, active 1784–1795
Date:
1788 to 1789
Materials & Techniques:
Oil on canvas
Dimensions:
30 3/16 × 48 3/16 inches (76.7 × 122.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

12. Durham

Durham
Creator:
unknown artist
Date:
ca. 1795
Materials & Techniques:
Oil on canvas
Dimensions:
20 x 41 inches (50.8 x 104.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

13. The Porch, Reims Cathedral

The Porch, Reims Cathedral
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1840
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Beauvais Cathedral

Beauvais Cathedral
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/16 × 10 9/16 inches (40.8 × 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

15. Notre Dame, Paris

Notre Dame, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1845
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Ghent: Street with Figures, Leading Up to the Cathedral

Ghent: Street with Figures, Leading Up to the Cathedral
Creator:
William Frome Smallwood, 1806–1834
Date:
1832
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 9 5/8 inches (32.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. St. Paul's Cathedral and Blackfriar's Bridge

St. Paul's Cathedral and Blackfriar's Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 1/4 inches (22.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Worcester

Worcester
Creator:
Print made by Thomas Rothwell, ca. 1742–1807
Date:
1795
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Eglise de St. Jean a Lyons

Eglise de St. Jean a Lyons
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper pasted on contemporary mount
Dimensions:
Sheet: 8 7/8 × 11 15/16 inches (22.5 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Worcester

Worcester
Creator:
Print made by William John Cooke, 1797–1865
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Île de la Cité, Paris

Île de la Cité, Paris
Creator:
James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

23. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

29. St. Paul's from Ludgate Hill

St. Paul's from Ludgate Hill
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

30. Under the Pincian Trees

Under the Pincian Trees
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1911
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 1/16 x 10 3/4 inches (20.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. Ratisbonne

Ratisbonne
Creator:
Print made by François-Séraphin Delpech, 1778–1825
Date:
between 1818 and 1825
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

32. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Quayside, Notre Dame in Distance

Quayside, Notre Dame in Distance
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 19 15/16 inches (34.2 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Façade St. Jean

Façade St. Jean
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. Verona, Hay Barge on the Medway, and a Calvary (three prints)

Verona, Hay Barge on the Medway, and a Calvary (three prints)
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
after 1833
Materials & Techniques:
Transfer lithograph on medium, moderately textured, cream laid paper, with beige chine collé
Dimensions:
Sheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. La rue des Prouvaires et l'église saint Eustache, Paris

La rue des Prouvaires et l'église saint Eustache, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1833
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Como

Como
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and gouache, with stumping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 5/8 inches (26.3 × 37.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection