The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
3
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
4
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
5
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
6
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
7
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
8
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
9
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
10
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
13
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
14
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
20
William Blake, 1757–1827
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
23
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
24
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
30
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
33
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
34
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
35
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
36
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
37
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
38
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
40
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
41
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
42
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
43
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
44
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
45
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
46
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
47
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
48
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
49
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
50
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
51
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
52
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
53
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
54
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
55
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
56
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
57
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
58
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
59
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
60
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
61
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
62
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
63
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
64
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
65
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
66
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
67
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
68
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
69
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
70
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
71
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
72
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
73
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
74
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
75
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
76
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
77
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
78
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
79
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
80
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
81
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
82
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
83
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
84
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
85
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
86
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
87
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
88
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
89
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
90
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
91
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11 (Bentley 17)
1794
92
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
1794
93
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
94
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
95
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
1794
96
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
97
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
98
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)
1794
99
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)