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1. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 71, "And above Albions Land...."

Jerusalem, Plate 71, "And above Albions Land...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Eve

Eve
Creator:
Print made by Edward Anthony Carrick, 1905–1998
Date:
undated
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 7 11/16 inches (27.6 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

11. Ellen Terry

Ellen Terry
Creator:
Print made by Edward Anthony Carrick, 1905–1998
Date:
undated
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

12. La diavolessa bianca!

La diavolessa bianca!
Creator:
Print made by Edward Anthony Carrick, 1905–1998
Date:
undated
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 11 x 8 inches (27.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

13. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Chamber Idyll

The Chamber Idyll
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1831
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Lady and the Rooks

The Lady and the Rooks
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 2 3/16 x 3 1/2 inches (5.6 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Midget

Midget
Creator:
Sir Peter Blake, born 1932
Date:
between 1974 and 1978
Materials & Techniques:
Wood engraving on beige Japanese Tonosawa handmade paper
Dimensions:
Sheet: 10 1/4 × 8 1/4 inches (26 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Returning from the Spring. Virginia.

Returning from the Spring. Virginia.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Bearded Lady

Bearded Lady
Creator:
Sir Peter Blake, born 1932
Date:
between 1974 and 1978
Materials & Techniques:
Wood engraving on beige Japanese Tonosawa handmade paper
Dimensions:
Sheet: 10 1/2 × 8 1/4 inches (26.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. The History of the Blind Beggar of Bethnal Green

The History of the Blind Beggar of Bethnal Green
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 5 inches (15.9 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Woman Doing Laundry with Two Girls

Woman Doing Laundry with Two Girls
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige laid paper
Dimensions:
Mount: 10 13/16 x 8 inches (27.5 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Elderly Couple on a Park Bench, with Two Men Beyond

Elderly Couple on a Park Bench, with Two Men Beyond
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Murder of the Innocents

The Murder of the Innocents
Creator:
Print made by John Baptist Jackson, 1701–1780
Materials & Techniques:
Chiaroscuro woodcut
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, The Frederick Benjamin Kaye Collection

26. A Large Christmas Card

A Large Christmas Card
Creator:
Print made by unknown artist
Date:
1895
Materials & Techniques:
Line block print on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 x 6 1/8 inches (23.5 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Venus, after Masters of Tarrochi

Venus, after Masters of Tarrochi
Creator:
Print made by Arthur Burgess, 1844–1886
Date:
undated
Materials & Techniques:
Wood-engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/16 x 6 7/16 inches (16.3 x 16.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

28. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Belle of the Village

The Belle of the Village
Creator:
Print made by George Baxter, 1804–1867
Date:
1854
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:
Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Return Home

The Return Home
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1830
Materials & Techniques:
Wood-engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Nightingale

The Nightingale
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. By the Sea

By the Sea
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 15/16 x 6 5/8 inches (12.5 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Frost and Snow

Frost and Snow
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 6 5/8 inches (20.8 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection