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1. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
Creator:
Robert Smirke, 1752–1845
Date:
between 1798 and 1801
Materials & Techniques:
Pen and ink and oil on panel
Dimensions:
15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Harlowe Family, from Samuel Richardson's "Clarissa"

The Harlowe Family, from Samuel Richardson's "Clarissa"
Creator:
Joseph Highmore, 1692–1780
Date:
between 1745 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
25 1/2 x 30 7/8 inches (64.8 x 78.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Sleeping Shepherd

The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Songs of Innocence, Plate 2, Title Page (Bentley 3)

Songs of Innocence, Plate 2, Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

The Poems of Thomas Gray, Design 37, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 63, "The Bard."

The Poems of Thomas Gray, Design 63, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 64, "Of the Mundane Shell...."

Jerusalem, Plate 64, "Of the Mundane Shell...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Poems of Thomas Gray, Design 29, "A Long Story."

The Poems of Thomas Gray, Design 29, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. She Never Told Her Love, But Sat Like Patience on a Monument

She Never Told Her Love, But Sat Like Patience on a Monument
Creator:
Robert Smirke, 1752–1845
Date:
1827
Materials & Techniques:
Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Sophia, Honour, and the Chambermaid

Sophia, Honour, and the Chambermaid
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

32. Miss Crockatt as Julia de Roubigné

Miss Crockatt as Julia de Roubigné
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 x 11 7/16 inches (37.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Shakespeare Sacrificed; or, The Offering to Avarice

Shakespeare Sacrificed; or, The Offering to Avarice
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Griffin and Johnson

Griffin and Johnson
Creator:
Print made by Pieter van Bleeck, 1700–1764
Date:
1748
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:
Sheet: 18 5/16 x 12 3/8 inches (46.5 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. And Ah! Let Pity Turn Her Dewy Eyes...

And Ah! Let Pity Turn Her Dewy Eyes...
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Comedies

Comedies
Creator:
Print made by John Hall, 1739–1797
Date:
ca. 1776
Materials & Techniques:
Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 3 9/16 inches (16.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

39. 'The Gamester,' Act V, Scene IV

'The Gamester,' Act V, Scene IV
Creator:
James Fittler, 1758–1835
Date:
1792
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

40. Aubertus Miræus

Aubertus Miræus
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 7 1/2 inches (27 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Olivia and Maria

Olivia and Maria
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Brown ink with brown wash, gouache and oil on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 3/16 x 3 3/8 inches (10.7 x 8.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
1778
Materials & Techniques:
Etching on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 6 7/16 × 3 3/4 inches (16.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Lady Percy Watching the Sleeping Hotspur

Lady Percy Watching the Sleeping Hotspur
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Council Chamber

The Council Chamber
Creator:
After Edward Burne-Jones, 1833–1898
Date:
1892
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 33 1/4 inches (42.5 × 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

45. Mrs. Elizabeth Billington as St. Cecilia

No cover image available
Creator:
James Ward, 1769–1859
Date:
1803
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 25 5/8 × 16 3/4 inches (65.1 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Death of the Good Old Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Death of the Good Old Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Day of Judgment

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Day of Judgment

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection