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Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
James Northcote Macbeth and the Witches
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
William Faithorne the Younger Thomas Shadwell, Esquire, Poet Laureat & Historiographer
Print made by William Faithorne the Younger, ca. 1669–1703
Thomas Shadwell, Esquire, Poet Laureat & Historiographer
between 1690 and 1703
Thomas Chambars Robert van Voerst
Print made by Thomas Chambars, ca. 1724–1789
Robert van Voerst
1771
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
Edward Fisher Admiral George Edgcumbe, first Earl of Mount Edgcumbe
Edward Fisher, 1722–1785
Admiral George Edgcumbe, first Earl of Mount Edgcumbe
1760
John Linnell Job Rebuked by His Friends
circle of John Linnell, 1792–1882
Job Rebuked by His Friends
undated
Alexander van Haecken In Her Love-Darting Eyes Awakes the Fires
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
Daniel Nikolaus Chodowieki Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
1778
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act III, Scene III
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act III, Scene III
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act III, Scene III
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act III, Scene III
undated
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
Bradshaw & Blacklock The Crimean War
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
George Cruikshank Jack Sheppard Gets Drunk and Orders his Mother off
Print made by George Cruikshank, 1792–1878
Jack Sheppard Gets Drunk and Orders his Mother off
1839
George Cruikshank Jack Sheppard's Escape from the Cage at Willesden
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
George Cruikshank Jack Sheppard Accuses Thames Darrell of the Theft
Print made by George Cruikshank, 1792–1878
Jack Sheppard Accuses Thames Darrell of the Theft
1839
William Faithorne the Younger Mary Commended, Martha Reprehended
Print made by William Faithorne the Younger, ca. 1669–1703
Mary Commended, Martha Reprehended
between 1752 and 1768
Thomas Chambars Michael Rysbrack
Print made by Thomas Chambars, ca. 1724–1789
Michael Rysbrack
undated
John Doyle ('H.B.') A Lecture on Elocution, the Professor Enforcing his Precepts by Example
Print made by John Doyle ('H.B.'), 1797–1868
A Lecture on Elocution, the Professor Enforcing his Precepts by Example
1847
William Faithorne the Younger Mary Commended, Martha Reprehended
Print made by William Faithorne the Younger, ca. 1669–1703
Mary Commended, Martha Reprehended
between 1690 and 1703
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
George Baxter The Conversion of the Proconsul
Print made by George Baxter, 1804–1867
The Conversion of the Proconsul
after 1855
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820
Prospero and Miranda
1781
Bradshaw & Blacklock Greek set
Bradshaw & Blacklock, active ca.1850
Greek set
after 1850