The Caller at the Mill, with sketches outside margin
1918-1919
14
Robert Polhill Bevan, 1865–1925
Fields Farm, Clayhidon
1917
15
Robert Polhill Bevan, 1865–1925
The Flying Pack
undated
16
Robert Polhill Bevan, 1865–1925
Hay Carts, Cumberland Market (sketch)
ca. 1915
17
Robert Polhill Bevan, 1865–1925
Two Bridges
1912-1913
18
Robert Polhill Bevan, 1865–1925
The Meet, with further sketches in margin
19
Robert Polhill Bevan, 1865–1925
Found, with further sketches in the margin
20
Robert Polhill Bevan, 1865–1925
The Hunt
undated
21
Robert Polhill Bevan, 1865–1925
Hounds in Covert
ca. 1896
22
Robert Polhill Bevan, 1865–1925
Study for Hay Carts, Cumberland Market
ca. 1915
23
Robert Polhill Bevan, 1865–1925
Horses Threshing, Pont Aven
1893
24
Robert Polhill Bevan, 1865–1925
The Meet
1898
25
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1898
26
Robert Polhill Bevan, 1865–1925
The Meet
between 1901 and 1925
27
Robert Polhill Bevan, 1865–1925
Horse Dealers
ca. 1918
28
Robert Polhill Bevan, 1865–1925
A Sussex Cart Horse
between 1905 and 1906
29
Robert Polhill Bevan, 1865–1925
Horse in Breton Yard
undated
30
Print made by Samuel Palmer, 1805–1881
Christmas
1877
31
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
32
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
33
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
34
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
35
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
36
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
37
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
38
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
39
Print made by Samuel Palmer, 1805–1881
The Willow
1850
40
Print made by Samuel Palmer, 1805–1881
Christmas
1850
41
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
42
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
43
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
44
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
45
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
46
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
47
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
48
Edward Lear, 1812–1888
Sketchbook
1845-1846
49
William Blake, 1757–1827
The Triumphs of Temper
1803
50
William Blake, 1757–1827
The Life of George Romney
1809
51
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
52
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
53
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
54
William Blake, 1757–1827
The Book of Thel
1789
55
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
56
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
57
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
58
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
59
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
60
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
61
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
62
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
63
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
64
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
65
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
66
William Blake, 1757–1827
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
67
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
68
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
69
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
70
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
71
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
72
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
73
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
74
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
75
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
76
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
77
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
78
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
79
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
80
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
81
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
82
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
83
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
84
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
85
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
86
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
87
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
88
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
89
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
90
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
91
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
92
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
93
William Blake, 1757–1827
Pl. 14: `Venus Counsels Cupid'
1796
94
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
95
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
96
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
97
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
98
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
99
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
100
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'