Christ Appearing to the Apostles after the Resurrection
1795 to 1805
606
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
607
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
608
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
609
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
610
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
611
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
612
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
613
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
614
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
615
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
616
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
617
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
618
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
619
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
620
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
621
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
622
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
623
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
624
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
625
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
626
unknown artist
God Creating the Universe
ca. 1800
627
circle of John Linnell, 1792–1882
Job's Evil Dreams
undated
628
circle of John Linnell, 1792–1882
The Wrath of Elihu
undated
629
circle of John Linnell, 1792–1882
The Lord Answering Job out of the Whirlwind
undated
630
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
631
circle of John Linnell, 1792–1882
The Vision of God
undated
632
circle of John Linnell, 1792–1882
Job and His Family
undated
633
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
634
John Linnell, 1792–1882
Illustrations of the Book of Job
undated
635
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
636
Whittington and Griggs, Chiswick, active 1921
Facsimile of plate number 76 from "Jerusalem"
1921
637
unknown artist
Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
ca. 1808
638
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
639
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
640
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
641
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
642
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
643
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
644
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
645
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
646
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
647
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
648
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
649
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
650
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
651
unknown artist
Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
ca. 1808
652
unknown artist
Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
ca. 1808
653
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
654
circle of John Linnell, 1792–1882
Satan Smiting Job with Boils
undated
655
circle of John Linnell, 1792–1882
Job's Comforters
undated
656
circle of John Linnell, 1792–1882
Job's Despair
undated
657
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
658
circle of John Linnell, 1792–1882
The Vision of Eliphaz
undated
659
circle of John Linnell, 1792–1882
Job Rebuked by His Friends
undated
660
circle of John Linnell, 1792–1882
The Creation
undated
661
circle of John Linnell, 1792–1882
The Fall of Satan
undated
662
circle of John Linnell, 1792–1882
Job's Sacrifice
undated
663
circle of John Linnell, 1792–1882
Job Accepting Charity
undated
664
circle of John Linnell, 1792–1882
Job and His Daughters
undated
665
circle of John Linnell, 1792–1882
Job and His Wife Restored to Prosperity
undated
666
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
667
circle of John Linnell, 1792–1882
The Destruction of Job's Sons
undated
668
unknown artist
Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
ca. 1808
669
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
670
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
671
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
672
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
673
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
674
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
675
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
676
William Blake, 1757–1827
The Book of Thel
1789
677
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
678
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
679
William Blake, 1757–1827
The Life of George Romney
1809
680
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
681
William Blake, 1757–1827
The Triumphs of Temper
1803
682
William Blake, 1757–1827
Illustrations of the Book of Job
1825
683
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
684
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
685
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
686
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
687
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
688
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
689
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
690
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
691
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
692
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
693
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
694
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
695
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
696
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'