The Caller at the Mill, with sketches outside margin
1918-1919
19
Robert Polhill Bevan, 1865–1925
Found, with further sketches in the margin
20
Robert Polhill Bevan, 1865–1925
Fields Farm, Clayhidon
1917
21
Robert Polhill Bevan, 1865–1925
Hounds in Covert
ca. 1896
22
Robert Polhill Bevan, 1865–1925
The Flying Pack
undated
23
Robert Polhill Bevan, 1865–1925
The Hunt
undated
24
Robert Polhill Bevan, 1865–1925
The Pink Apron
ca. 1904
25
Robert Polhill Bevan, 1865–1925
Hay Carts, Cumberland Market (sketch)
ca. 1915
26
Robert Polhill Bevan, 1865–1925
Study for Hay Carts, Cumberland Market
ca. 1915
27
Robert Polhill Bevan, 1865–1925
Two Bridges
1912-1913
28
Robert Polhill Bevan, 1865–1925
Horse in Breton Yard
undated
29
Robert Polhill Bevan, 1865–1925
Horse Dealers at the Barbican (Barbican No. 2)
1921
30
Robert Polhill Bevan, 1865–1925
Horse Dealers (Ward's Repository, No.1)
1919
31
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
32
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
33
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
34
Print made by Samuel Palmer, 1805–1881
The Willow
1850
35
Print made by Samuel Palmer, 1805–1881
Christmas
1877
36
Print made by Samuel Palmer, 1805–1881
Christmas
1850
37
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
38
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
39
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
40
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
41
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
42
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
43
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
44
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
45
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
46
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
47
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
48
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
49
Edward Lear, 1812–1888
Sketchbook
1845-1846
50
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
51
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
52
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
53
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
54
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
55
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
56
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
57
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
58
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
59
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
60
Print made by William Blake, 1757–1827
Psyche Disobeys
1794
61
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
62
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
63
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
64
Print made by William Blake, 1757–1827
Venus Councels Cupid
1794
65
Print made by William Blake, 1757–1827
Iron Age
1794
66
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
67
Print made by William Blake, 1757–1827
Anacreon Ode LII
1795
68
Print made by William Blake, 1757–1827
Psyche Disobeys
1794
69
Print made by William Blake, 1757–1827
Psyche Repents
1794
70
Print made by William Blake, 1757–1827
Venus Counsels Cupid
1794
71
Print made by William Blake, 1757–1827
The Conjugal Union of Cupid
1794
72
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
73
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
74
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
75
Print made by William Blake, 1757–1827
Cupid & Psyche
1794
76
Print made by William Blake, 1757–1827
Anacreon Ode LII
1794
77
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
78
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
79
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
80
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
81
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
82
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
83
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
84
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
85
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
86
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
87
Print made by William Blake, 1757–1827
Psyche Repents
1794
88
Print made by William Blake, 1757–1827
The Conjugal Union of Cupid
1794
89
Print made by William Blake, 1757–1827
Cupid & Psyche
1794
90
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
91
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
92
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
93
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
94
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
95
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
96
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
97
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
98
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
99
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
100
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]