Materials & Techniques: line engraving / Genre: literary theme / Image Available: Available

401. King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1801
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 29 1/2 inches (51.1 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. In Horne's House

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1982
Materials & Techniques:: Etching, aquatint, soft-ground etching, stipple engraving, line engraving, lift-ground, and spit-bite on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 29 3/4 × 22 1/8 inches (75.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

403. Finn MacCool

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1983
Materials & Techniques:: Heliogravure, lift-ground etching, spit-bite aquatint, line engraving and burnisher on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 29 7/8 × 22 3/8 inches (75.9 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

404. Leopold Bloom

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1983
Materials & Techniques:: Soft ground etching, roulette, line engraving and aquatint on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 30 × 22 3/8 inches (76.2 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

405. Vortigern & Rowena

Creator:: Print made by Anker Smith, 1759–1819
Date:: 1816
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

406. How a Great Daily Organ is Turned Out

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1990
Materials & Techniques:: Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

407. Bronze by Gold

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1985 to 1987
Materials & Techniques:: Soft-ground etching, lift-ground aquatint, line engraving, scraper and burnisher in twenty-three colors from five plates on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

408. William Cavendish of Newcastle

Creator:: Print made by George Vertue, 1684–1756
Date:: 1739
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 15/16 × 9 9/16 inches (40.5 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

409. Sir Kenelm Digby

Creator:: Print made by Jacobus Houbraken, 1698–1780
Date:: 1748
Materials & Techniques:: Line engraving, stipple engraving, and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 5/8 inches (49.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

410. James Graham Marquess of Montrose

Creator:: Print made by Jacobus Houbraken, 1698–1780
Date:: 1740
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/16 × 12 13/16 inches (53.5 × 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

411. William Cavendish, Duke of Newcastle

Creator:: Print made by George Vertue, 1684–1756
Date:: 1739
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 9 inches (35.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

412. William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.

Creator:: Print possibly made by George Vertue, 1684–1756
Date:: 1713
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 11 1/2 × 8 5/8 inches (29.2 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

413. William Cavendish, first Duke of Newcastle-upon-Tyne

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving, stipple engraving, and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 11/16 inches (29.8 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

414. Reverend Hugh Blair, D.D.

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. Thomas Percy, Bishop of Dromore

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Stipple engraving, and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 7 11/16 inches (26.7 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Folkestone

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. Folkestone

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; finished engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. The Drowning Slave

Creator:: Robert Brandard, 1805–1862
Date:: 1846
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. The Bay of Baiæ - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. The Golden Bough

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. John Smith, Writing Master in London

Creator:: William Faithorne the Younger, ca. 1669–1703
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 8 3/4 inches (32.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Sir Philip Sidney

Creator:: George Vertue, 1684–1756
Date:: 1741
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Edmund Spenser

Creator:: George Vertue, 1684–1756
Date:: 1727
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 × 9 15/16 inches (37.8 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Sir John Suckling

Creator:: George Vertue, 1684–1756
Date:: 1744
Materials & Techniques:: LIne engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 9 3/8 inches (38.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Isaac Watts

Creator:: Simon François Ravenet, 1706–1774
Date:: undated
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 6 11/16 inches (23.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. The Death of Sir Philip Sydney

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Tom Jones Assisting Molly Seagrim

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 x 15 7/16 inches (53.4 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

432. Griselda

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Angelica and Medoro

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. ...Scuote, il Lembo Pieno; e Nella Torbida Onda...

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Stava Ella Nel Sepolcro; e Quivi Attrita...

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1778
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. The Birth of Shakespeare

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Troilus and Cressida, Act 4, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Line engraving, stipple engraving, aquatint, and brown wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. King Lear, Act 4, Scene VII

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Line engraving, stipple engraving, aquatint, and brown wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Macbeth, Act I, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Abbotsford, Large Vignette

Creator:: Print made by William Miller, 1796–1882
Date:: 1841
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1844
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. The Bright Stone of Honour - from LXV - 'The Turner Gallery'

Creator:: Print made by John Cousen, 1804–1880
Date:: between 1859 and 1879
Materials & Techniques:: Etching and line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Mount Moriah

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Line engraving, first state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Lochiel's Warning (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Hohenlinden (Vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. The Beech Tree's Petition (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Lord Ullin's Daughter (Vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. The Soldier's Dream (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Gertrude of Wyomimg - The Valley (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. The Last Man (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. The Ring

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. The Chaplet

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Lake of Nemi (Vignette)

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Ulysses Deriding Polyphemus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Summer Eve - the Rainbow

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. The Andes Coast (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. O'Connor's Child (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Battle of the Baltic (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Prague - Kosciusko (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Rolandseck (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Camp Hill, Hastings (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Dido and Aeneas

Creator:: Print made by James T. Willmore, 1800–1863
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Ludlow Castle - Rising of the Water-Nymphs

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Frontispiece (Fisher's `Pilgrim's Progress)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1838
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. St. Michael's Mount - Shipwreck of Lycidas

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Sinai's Thunder (Vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. The Garden

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: 1844-1867
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. St. Anne's Hill, No. I

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. A Hurricane in the Desert

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Venice, The Rialto - Moonlight

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 1/2 inches (29.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 1/4 inches (29.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Captivity

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. The Boy of Egremond

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Columbus Setting Sail

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Columbus and his son

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 6 3/8 inches (29.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. An Old Manor House

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/8 inches (29.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Creator:: Simon François Ravenet, 1706–1774
Date:: 1753
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Celadon and Amelia

Creator:: Print made by William Woollett, 1735–1785
Date:: 1766
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/8 x 22 1/4 inches (46 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Cephalonia

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. The Landing of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. A Tempest – Voyage of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Datur Hora Quieti

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Griselda Returning to her Father

Creator:: Print made by Amedeo Gabrielli, 1749–1817
Date:: after 1785
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/16 x 13 inches (43.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Ticket for the Benefit of Madame Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 7 5/8 inches (15.2 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Concert Ticket: Benefit Night of Luigi Borghi

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 5/8 inches (19.1 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Ticket for the Benefit of Madame Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 × 6 3/4 inches (13.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Ticket: For The Benefit Of Mad' Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1795
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 7 1/2 inches (15.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. The Snuff Box, Calais

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Line engraving, stipple engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. The Shepherdess of the Alps

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Orlando Rescues Olympia From The Orca In The Island Ebuda

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1768
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1778
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Vortigern And Rowena

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques line engraving

Genre literary theme

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Search Results

401. King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

402. In Horne's House

403. Finn MacCool

404. Leopold Bloom

405. Vortigern & Rowena

406. How a Great Daily Organ is Turned Out

407. Bronze by Gold

408. William Cavendish of Newcastle

409. Sir Kenelm Digby

410. James Graham Marquess of Montrose

411. William Cavendish, Duke of Newcastle

412. William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.

413. William Cavendish, first Duke of Newcastle-upon-Tyne

414. Reverend Hugh Blair, D.D.

415. St. Agatha's Abbey

416. St. Agatha's Abbey

417. Thomas Percy, Bishop of Dromore

418. St. Agatha's Abbey

419. Folkestone

420. Folkestone

421. The Drowning Slave

422. The Bay of Baiæ - Apollo and the Sibyl

423. The Golden Bough

424. St. Mark's Place, Venice - Juliet and her Nurse

425. John Smith, Writing Master in London

426. Sir Philip Sidney

427. Edmund Spenser

428. Sir John Suckling

429. Isaac Watts

430. The Death of Sir Philip Sydney

431. Tom Jones Assisting Molly Seagrim

432. Griselda

433. Angelica and Medoro

434. ...Scuote, il Lembo Pieno; e Nella Torbida Onda...

435. Stava Ella Nel Sepolcro; e Quivi Attrita...

436. Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World

437. Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"

438. The Birth of Shakespeare

439. Troilus and Cressida, Act 4, Scene II

440. King Lear, Act 4, Scene VII

441. Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background

442. Macbeth, Act I, Scene II

443. Abbotsford, Large Vignette

444. Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'

445. Loch Leven Castle

446. The Bright Stone of Honour - from LXV - 'The Turner Gallery'

447. Mount Moriah

448. Lochiel's Warning (Vignette)

449. Hohenlinden (Vignette)

450. The Beech Tree's Petition (Vignette)

451. Lord Ullin's Daughter (Vignette)

452. The Soldier's Dream (Vignette)

453. Gertrude of Wyomimg - The Valley (Vignette)

454. The Last Man (Vignette)

455. The Ring

456. The Chaplet

457. Lake of Nemi (Vignette)

458. Ulysses Deriding Polyphemus

459. Summer Eve - the Rainbow

460. The Andes Coast (Vignette)

461. O'Connor's Child (Vignette)

462. Battle of the Baltic (Vignette)

463. Prague - Kosciusko (Vignette)

464. Rolandseck (Vignette)

465. Camp Hill, Hastings (Vignette)

466. Dido and Aeneas

467. Ludlow Castle - Rising of the Water-Nymphs

468. Frontispiece (Fisher's `Pilgrim's Progress)

469. St. Michael's Mount - Shipwreck of Lycidas

470. Sinai's Thunder (Vignette)

471. The Garden

472. St. Agatha's Abbey

473. Traitor's Gate - Tower of London