Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
2
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
3
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
4
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
5
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
6
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
7
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
8
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
9
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
10
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
11
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
12
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
13
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
14
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
15
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
16
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
17
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
18
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
19
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
20
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
21
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
22
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
23
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
24
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
25
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
26
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
27
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
28
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
29
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
30
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
31
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
32
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
33
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
34
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
35
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
36
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
37
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
38
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
39
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
40
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
41
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
42
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
43
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
44
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
45
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
46
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
47
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
48
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
49
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
50
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
53
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
54
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
55
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard