Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
13
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
14
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
15
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
16
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
17
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
18
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
19
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
20
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
21
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
22
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
23
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
24
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
25
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11 (Bentley 17)
1794
26
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
27
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
28
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
29
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
30
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
31
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
32
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
33
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
34
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
35
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
36
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
37
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
38
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
39
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
40
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
41
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
42
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
43
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
44
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
45
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
46
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
47
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
48
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
49
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
50
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
51
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
52
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
53
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
54
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
55
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
56
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
57
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
58
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
59
Print made by William Blake, 1757–1827
For Children. The Gates of Paradise, Title Page; Plate 2
1793
60
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
61
Print made by William Blake, 1757–1827
Earth; Plate 5
1793
62
Print made by William Blake, 1757–1827
I Want! I Want!; Plate 11
1793
63
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
64
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
65
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
66
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
67
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
68
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
69
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
70
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
71
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
72
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
73
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
74
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22 (Bentley 24)
1794
75
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
76
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
77
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision; Plate 15
1793
78
Print made by William Blake, 1757–1827
Death's Door; Plate 17
1793
79
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening; Plate 16
1793
80
Print made by William Blake, 1757–1827
Air; Plate 6
1793
81
Print made by William Blake, 1757–1827
Fire; Plate 7
1793
82
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
83
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
84
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
85
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
86
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
87
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
88
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
89
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
90
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
91
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
92
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
93
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
94
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
95
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
96
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
97
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
98
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
99
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
100
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)