The Caller at the Mill, with sketches outside margin
1918-1919
21
Robert Polhill Bevan, 1865–1925
Study for the Horse Dealers
ca. 1917
22
Robert Polhill Bevan, 1865–1925
The Pink Apron
ca. 1904
23
Robert Polhill Bevan, 1865–1925
Sussex Cart Horse
between 1905 and 1906
24
Robert Polhill Bevan, 1865–1925
Found, with further sketches in the margin
25
Robert Polhill Bevan, 1865–1925
The Hunt
undated
26
Robert Polhill Bevan, 1865–1925
A Sussex Cart Horse
between 1905 and 1906
27
Robert Polhill Bevan, 1865–1925
Two Bridges
1912-1913
28
Robert Polhill Bevan, 1865–1925
Horse in Breton Yard
undated
29
Robert Polhill Bevan, 1865–1925
Horse Dealers at the Barbican (Barbican No. 2)
1921
30
Robert Polhill Bevan, 1865–1925
Horse Dealers (Ward's Repository, No.1)
1919
31
Print made by Samuel Palmer, 1805–1881
Christmas
1877
32
Print made by Samuel Palmer, 1805–1881
Christmas
1850
33
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
34
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
35
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
36
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
37
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
38
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
39
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
40
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
41
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
42
Print made by Samuel Palmer, 1805–1881
The Willow
1850
43
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
44
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
45
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
46
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
47
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
48
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
49
Edward Lear, 1812–1888
Sketchbook
1845-1846
50
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
51
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
52
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
53
William Blake, 1757–1827
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
54
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
55
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
56
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
57
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
58
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
59
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
60
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
61
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
62
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
63
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
64
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
65
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
66
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
67
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
68
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
69
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
70
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
71
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
72
William Blake, 1757–1827
Pl. 14: `Venus Counsels Cupid'
1796
73
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
74
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
75
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
76
William Blake, 1757–1827
Pl. 13: `Psyche Repents.'
1796
77
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
78
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
79
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
80
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
81
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
82
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
83
William Blake, 1757–1827
The Triumphs of Temper
1803
84
William Blake, 1757–1827
The Life of George Romney
1809
85
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
86
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
87
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
88
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
89
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
90
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
91
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
92
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
93
William Blake, 1757–1827
Illustrations of the Book of Job
1825
94
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
95
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
96
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
97
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
98
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
99
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
100
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'