Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
152
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
153
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
154
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
155
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
156
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
157
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
158
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
159
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
160
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
161
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
162
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
163
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
164
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
165
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
166
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
167
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
168
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
169
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
170
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
171
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
172
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
173
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
174
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
175
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
176
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
177
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
178
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
179
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
180
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
181
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
182
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
183
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
184
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
185
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks