Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
304
Print made by William Blake, 1757–1827
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
305
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
306
Print made by William Blake, 1757–1827
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
307
Print made by William Blake, 1757–1827
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
308
Print made by William Blake, 1757–1827
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
309
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
310
Print made by William Blake, 1757–1827
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
311
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
312
Print made by William Blake, 1757–1827
Jerusalem, Plate 52, "To the Deists...."
1804 to 1820
313
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
314
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
315
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
316
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
317
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
318
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
319
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
320
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
321
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
322
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
323
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
324
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
325
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
326
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
327
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
328
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
329
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
330
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
331
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
332
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
333
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
334
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
335
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
336
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
337
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
338
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
339
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
340
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
341
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
342
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
343
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
344
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
1794
345
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
346
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
347
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
348
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
349
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 16)
1794
350
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
1794
351
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
352
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
1794
353
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25 (Bentley 26)
1794
354
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)
1794
355
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
1794
356
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
357
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
358
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
359
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
360
Print made by William Blake, 1757–1827
Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
1804 to 1820
361
Print made by William Blake, 1757–1827
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
362
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
363
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
364
Print made by William Blake, 1757–1827
Jerusalem, Plate 77, "To the Christians...."
1804 to 1820
365
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
366
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
367
Print made by William Blake, 1757–1827
Jerusalem, Plate 91, "It is easier to forgive an enemy...."
1804 to 1820
368
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
369
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
370
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
371
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
372
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
373
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
374
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
375
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
376
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
377
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
378
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
379
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
380
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
381
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
382
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
383
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
384
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
385
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
386
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
387
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
388
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
389
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
390
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
391
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
392
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
393
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
394
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
395
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."