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1
- A Harrow in the Orchard
- ca. 1896
2
- An Ancient Barn at Shoreham
- undated
3
- Opening the Fold: Early Morning
- ca. 1880
4
- A Cottage among Trees, Shoreham
- undated
5
- Grotesque Female Head
- undated
6
- Grotesque Female Head
- undated
7
- Villa d'Este
- ca. 1796
8
- The Capo Sant' Angelo, Amalfi
- ca. 1885
9
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
10
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
11
- Borghese Gladiator
- undated
12
- The Wave
- undated
13
- The Temptation of Christ
- undated
14
- Men Going out to Fight, with a Crowd of Cowering Women Behind
- undated
15
- The Three Graces and Fiends Deriding Christ for "The Temptation of Christ"
- undated
16
- Howard Visiting a Prison
- undated
17
- Howard Visiting a Prison
- undated
18
- Howard Visiting a Prison
- between 1790 and 1794
19
- John Henderson as Falstaff
- 1780
20
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
21
- Moses Receiving the Law
- ca. 1780
22
- Bathing Houses at Margate
- undated
23
- Watley
- undated
24
- View near Bristol
- undated
25
- Be it ever so Humble, There's no place like Home
- undated
26
- Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun
- between 1796 and 1808
27
- Allegorical female figure: piety holding a nest of pelicans
- undated
28
- Allegorical Female Figure: holding a flaming torch
- undated
29
- View of the Falls of Niagara
- between 1795 and 1797
30
- Campagna/ Rome
- 1818
31
- Position pour la Garde en Quarte
- 1763
32
- Seconde Position du Salut
- 1763
33
- Quatrieme Position du Salut
- 1763
34
- Shipping in an Estuary
- undated
35
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
36
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
37
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
38
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
39
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
40
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
41
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
42
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
43
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
44
- Du Desarmement sur le Coup de Tierce
- 1763
45
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
46
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
47
- Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
- undated
48
- L'Orient 1776: Map of the Port of Orient
- 1776
49
- Premiere Position pour tirer L'Epée
- 1763
50
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
51
- Position pour la Garde en Tierce
- 1763
52
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
53
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
54
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
55
- Troisieme Position du Salut
- 1763
56
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
57
- Premiere Position du Salut
- 1763
58
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
59
- Cinquieme Position du Salut
- 1763
60
- London: a View toward the City and St. Paul's from the North West
- undated
61
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
62
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
63
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
64
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
65
- De la Passe en Quarte du Dehors des Armes
- 1763
66
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
67
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
68
- De la Volte sur la Passe au Dehors des Armes
- 1763
69
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
70
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
71
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
72
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
73
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
74
- A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
- 1759
75
- Mahadeva and Parvati Playing Chaupar
- undated
76
- Exterior View of Keylas (Kailasanatha)
- ca. 1793
77
- Interior of Viswakarma
- undated
78
- Front View of Teen Talpumsorth
- undated
79
- Exterior View of Keylas (Kailasanatha)
- ca. 1795
80
- Mother Camel and her Calf
- undated
81
- Elephant
- undated
82
- Design for an Ornamented Spandrel
- undated
83
- Design for a Gothic Screen
- undated
84
- The Contented Miller
- undated
85
- Administering the Oath at Highgate
- undated
86
- The Travelling Show Man
- undated
87
- Utensils
- ca. 1790
88
- The Temple at Ekvera (Karle)
- ca. 1793
89
- Temple Entrance, Ellora
- undated
90
- Paraswa Rama Sabha
- undated
91
- View of a Rock-Carved Temple, Ellora
- 1793 or 1795
92
- Bhurt Chullenghan
- undated
93
- Figure from Indus Sabha
- undated
94
- Exterior View of the Temple at Ekvera (Karle)
- ca. 1793
95
- A Suttee Monument
- undated
96
- Ekvera
- undated
97
- Krishna and Radha
- 1792 to 1795
98
- Figure from Elephanta
- undated
99
- The Bridge, Walton on Thames
- ca. 1750
100
- De la Parade Dequinte sur le Coup de Quinte
- 1763