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Materials & Techniques laid paper

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Collection Prints and Drawings

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Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
Francis Haward Mrs. Siddons, in the Character of the Tragic Muse
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
Paulus Pontius Aubertus Miræus
Print made by Paulus Pontius, 1603–1658
Aubertus Miræus
ca. 1635
William Nutter Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
Robert Dighton Hamlet in Scotland
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
Peltro W. Tomkins The Three Witches
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
Francesco Bartolozzi Tom Jones Assisting Molly Seagrim
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
Amedeo Gabrielli Griselda Returning to her Father
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
Francesco Bartolozzi The Death of Cora
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
Francesco Bartolozzi Celadon and Amelia
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
Francesco Bartolozzi Gualtherus and Griselda
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
Francesco Bartolozzi Tancred and Clorinda
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
Francesco Bartolozzi Alphonso and Aciloe
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
Peter Simon Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
Robert Thew Shakespeare's Tempest Act IV Scene I. Prospero's Cell.
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
Joseph Strutt John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
Print made by Joseph Strutt, 1749–1802
John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
1788 to 1791