pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
17
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
18
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
19
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
20
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
21
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
22
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
23
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
24
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
25
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
26
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
28
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
29
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
30
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
31
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
32
Print made by William Blake, 1757–1827
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
33
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
34
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
35
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
36
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
37
Print made by William Blake, 1757–1827
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
38
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
39
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
40
Print made by William Blake, 1757–1827
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
41
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
42
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
43
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
44
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
45
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
46
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
47
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
48
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
49
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
50
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
51
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
52
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
53
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
54
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
55
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
56
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
57
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
58
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
59
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
60
John Frederick Lewis, 1804–1876
Seated Turk
between 1840 and 1841
61
John Frederick Lewis, 1804–1876
Study of a Lion and Study of a Lioness' Head
ca. 1820
62
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
63
James Ward, 1769–1859
A Human Skeleton
undated
64
James Ward, 1769–1859
A Human Skeleton
undated
65
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
66
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
67
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
68
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
69
George Fennell Robson, 1788–1833
Tryfan, Carnarvonshire
1826
70
Print made by Conrad Gessner, 1764–1826
Cavalry Charging
1801
71
James Barry, 1741–1806
The Phoenix or the Resurrection of Freedom
1776
72
Thomas Daniell, 1749–1840
Two Studies of an Indian Elephant's Head
ca. 1840
73
James Ward, 1769–1859
Study of a Plunging Eagle
undated
74
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
75
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
76
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
77
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
78
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785
79
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc