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Joseph Mallord William Turner A Great Tree

Joseph Mallord William Turner, 1775–1851

A Great Tree

ca. 1796

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

John Warwick Smith, 1749–1831

The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

July 14, 1792

Alexander Monro Landscape at Boxhill, Surrey

Alexander Monro, 1802–1844

Landscape at Boxhill, Surrey

undated

Henry Monro A Wooded Track

Henry Monro, 1791–1814

A Wooded Track

1813

unknown artist God Creating the Universe

unknown artist

God Creating the Universe

ca. 1800

Thomas Carwitham Design for a Ceiling Decoration

Thomas Carwitham, active 1723

Design for a Ceiling Decoration

1723

William Callow Landscape with Sheep

William Callow, 1812–1908

Landscape with Sheep

undated

John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

John Nixon, ca. 1760–1818

At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

1804

Thomas Hearne The Poor House, Hadley, Hertfordshire

Thomas Hearne, 1744–1817

The Poor House, Hadley, Hertfordshire

1802

George Baxter The Belle of the Village

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Thomas Chambars Robert van Voerst

Print made by Thomas Chambars, ca. 1724–1789

Robert van Voerst

1771

Richard Parkes Bonington Le Silence Favorable

Print made by Richard Parkes Bonington, 1802–1828

Le Silence Favorable

1826

Edward Calvert The Flood

Print made by Edward Calvert, 1799–1883

The Flood

1829

Edward Calvert Ideal Pastoral Life

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

Robert Smirke Allegorical Scene

Robert Smirke, 1752–1845

Allegorical Scene

undated

Edward Calvert The Flood

Print made by Edward Calvert, 1799–1883

The Flood

1829

Edward Calvert Ideal Pastoral Life

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

James Duffield Harding Gorge du Mont Terrible

James Duffield Harding, 1798–1863

Gorge du Mont Terrible

undated

Frederick Landseer Maur Griggs St. Ippolyts, no. 2, 1903

Print made by Frederick Landseer Maur Griggs, 1876–1938

St. Ippolyts, no. 2, 1903

1903

John Browne Moon-Light

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

James Clark Cowdray Ruins

Print made by James Clark, 19th century

Cowdray Ruins

1824

James Caldwall Ham Court, the Seat of John Martin, Esq.

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Sir Charles D'Oyly A Bheesty or Water Carrier

Print made by Sir Charles D'Oyly, 1781–1845

A Bheesty or Water Carrier

ca. 1830

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Print made by Francesco Bartolozzi, 1728–1815

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

Frederick Landseer Maur Griggs Totterne Inn

Print made by Frederick Landseer Maur Griggs, 1876–1938

Totterne Inn

1919

John Warwick Smith Bay Scene in Moonlight

John Warwick Smith, 1749–1831

Bay Scene in Moonlight

1787

William Marshall Craig Macbeth and the Apparition of the Armed Head

William Marshall Craig, 1763 or 1764–1829

Macbeth and the Apparition of the Armed Head

ca. 1820

David Cox Going to the Hayfield

David Cox, 1783–1859

Going to the Hayfield

early 1850s

William Collins Landscape with Man on Beach

Attributed to William Collins, 1788–1847

Landscape with Man on Beach

undated

Mary Hoare Ferdinand and Ariel

Mary Hoare, 1744–1820

Ferdinand and Ariel

ca. 1781

John Crome The Back of the Mills

Print made by John Crome, 1768–1821

The Back of the Mills

ca. 1812