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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomExhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
Remove constraint Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)Search Results
101
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
102
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
103
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
104
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
105
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
106
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
107
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
108
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
109
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
110
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
111
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
112
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
113
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
114
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
115
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
116
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
117
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
118
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
119
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
120
- The Complaint and the Consolation; or Night Thoughts (and title page)
- 1797
121
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
122
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
123
- My Son! My Son!; Plate 10
- 1793
124
- I Want! I Want!; Plate 11
- 1793
125
- Help! Help!; Plate 12
- 1793
126
- Does Thy God O Priest Take such Vengeance as This?; Plate 14
- 1793
127
- What is Man!, Frontispiece; Plate 1
- 1793
128
- Earth; Plate 5
- 1793
129
- Air; Plate 6
- 1793
130
- Fire; Plate 7
- 1793
131
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
132
- For Children. The Gates of Paradise, Title Page; Plate 2
- 1793
133
- I Found Him Beneath a Tree; Plate 3
- 1793
134
- Water; Plate 4
- 1793
135
- Aged Ignorance; Plate 13
- 1793
136
- Fear & Hope Are -- Vision; Plate 15
- 1793
137
- The Traveller Hasteth in the Evening; Plate 16
- 1793
138
- Death's Door; Plate 17
- 1793
139
- Alas!; Plate 9
- 1793
140
- I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
- 1793
141
- Jerusalem, Plate 76
- 1804 to 1820
142
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
143
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
144
- Jerusalem, Plate 100
- 1804 to 1820
145
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
146
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
147
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
148
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
149
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
150
- Jerusalem, Plate 51
- 1804 to 1820
151
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
152
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
153
- America. A Prophecy, Plate 2, Title Page
- 1793
154
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
155
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
156
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
157
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
158
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
159
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
160
- America. A Prophecy, Plate 1, Frontispiece
- 1793
161
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
162
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
163
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
164
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
165
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
166
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
167
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
168
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
169
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
170
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
171
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
172
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
173
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
174
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
175
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
176
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
177
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
178
- The Parable of the Wise and Foolish Virgins
- ca. 1825
179
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
180
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
181
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
182
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
183
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
184
- Mary Magdalen at the Sepulchre
- ca. 1805
185
- Abraham and Isaac
- 1799 to 1800
186
- Presages of the Millenium
- 1795
187
- The Phoenix or the Resurrection of Freedom
- 1776
188
- William Blake in Youth and Age
- ca. 1830
189
- The Shepherd
- 1827
190
- The Witch of En-Dor
- 1788
191
- Job Reproved by his Friends
- 1777
192
- Queen Katherine's Dream
- 1788
193
- Pylades and Orestes
- 1771
194
- Death on a Pale Horse
- 1784
195
- The Deposition
- undated
196
- Get Thee Behind Me, Satan
- between 1783 and 1787
197
- A Select Collection of English Songs
- 1783
198
- A Select Collection of English Songs
- 1783
199
- A Select Collection of English Songs
- 1783
200
- A Select Collection of English Songs
- 1783