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201
- A Dwelling
- undated
202
- Landscape with Castle, River and Mountain
- between 1762 and 1783
203
- Landscape with Large Cruciform
- 1769
204
- Landscape
- 1765
205
- View of Windermere
- between 1762 and 1783
206
- Two Trees in a Landscape
- between 1762 and 1783
207
- Landscape with Road Leading to Abbey
- 1762
208
- Landscape with Castle on Riverbank
- 1763
209
- View from a Riverbank
- undated
210
- Soldiers in a Landscape
- undated
211
- River Landscape with Castle in the Distance
- 1766
212
- Three Figures in a Landscape
- 1766
213
- Interior of a Stable
- undated
214
- The Undergraduate's Room
- undated
215
- Designs for Illustrations to Mozart's Operas
- undated
216
- Designs for Illustrations to Beethoven's Works
- undated
217
- A Family in Hyde Park
- undated
218
- For the Triumph of Britannia
- undated
219
- Two Frigates before the Wind
- undated
220
- Firing a Salute
- 1770
221
- Crowcombe Court: a gentleman with his dog walking by the river
- ca. 1775
222
- Plymouth Dockyard after the Fire
- 1840
223
- The Triumph of Music
- ca. 1815
224
- Docks, September 6, 1777
- 1777
225
- A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid
- ca. 1805
226
- Chinese Youth Weaving
- undated
227
- Bucks of the First Head
- ca. 1785
228
- Rowlandson and Wigstead on Tour
- undated
229
- Castle Ruin in Landscape Scene with a Lake
- undated
230
- Three Sportsmen Sleeping at the Table in Their Chairs
- undated
231
- Landscape
- undated
232
- The Bayswater Turnpike
- undated
233
- Bayswater - London
- undated
234
- Love Vindicated (L'Amour Vinqe')
- undated
235
- North East View of Mr. Hare's New House
- 1783
236
- Herstmonceux Castle, Sussex
- undated
237
- Political Caricature: "The Spiritualists"
- undated
238
- Men Loading a Cart Beside a River
- undated
239
- Crossing the Line Ceremony on Board the Ship, "Vestal"
- undated
240
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
241
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
242
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
243
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
244
- De la Passe en Quarte du Dehors des Armes
- 1763
245
- De la Volte sur la Passe au Dehors des Armes
- 1763
246
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
247
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
248
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
249
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
250
- Du Desarmement sur le Coup de Tierce
- 1763
251
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
252
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
253
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
254
- Three Ships with Barque-like Rigging
- undated
255
- Single Brig; Sketches of Separate Stern and Rubber
- undated
256
- Single Hermaphrodite Brig
- undated
257
- Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
- undated
258
- Several Battleships at Battle: Row Boats with Figures
- undated
259
- Single Battleship, Stern Forward
- undated
260
- Several Ships in Formation for Battle in Heavy Seas
- undated
261
- Side View of Battleship Surrounded by Several Others in Heavy Seas
- undated
262
- Single Corvette. Bow Forward
- undated
263
- Side View of Single Barque
- undated
264
- Mrs. Abington
- undated
265
- Cat Like Courtship
- undated
266
- On the Tiber/ Castle of St. Angelo
- 1818
267
- Einsiedein, Switzerland
- ca. 1817
268
- Mt. St. Bernard (Switzerland)
- 1816
269
- Sion (Switzerland)
- ca. 1817
270
- Simplon (Switzerland)
- ca. 1817
271
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
272
- Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
- ca. 1816
273
- Village on a Lake
- ca. 1817
274
- Funeral Procession at Rome
- 1818
275
- On the River Wye with Wilton Castle Ruins on a Bend in the River
- after 1794
276
- Haymaking
- 1792
277
- Premiere Position pour tirer L'Epée
- 1763
278
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
279
- Troisieme Position du Salut
- 1763
280
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
281
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
282
- Position pour la Garde en Tierce
- 1763
283
- Quatrieme Position du Salut
- 1763
284
- Seconde Position du Salut
- 1763
285
- Cinquieme Position du Salut
- 1763
286
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
287
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
288
- De la Parade de Seconde sur le Coup de Seconde
- 1763
289
- De la Parade Dequinte sur le Coup de Quinte
- 1763
290
- De la Parade de Prime sur le Coup de Seconde
- 1763
291
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
292
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
293
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
294
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
295
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
296
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
297
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
298
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
299
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
300
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763