America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
28
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
29
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
30
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
31
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
32
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
33
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
34
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
35
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
36
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
37
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
38
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
39
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
40
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
41
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
42
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
43
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
44
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
45
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
46
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
47
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
48
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
49
Print made by William Blake, 1757–1827
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
50
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
51
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
52
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
53
John Frederick Lewis, 1804–1876
Seated Turk
between 1840 and 1841
54
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
55
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
56
James Ward, 1769–1859
A Human Skeleton
undated
57
George Fennell Robson, 1788–1833
Tryfan, Carnarvonshire
1826
58
James Ward, 1769–1859
A Human Skeleton
undated
59
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
60
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
61
John Frederick Lewis, 1804–1876
Study of a Lion and Study of a Lioness' Head
ca. 1820
62
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
63
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
64
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
65
Print made by Conrad Gessner, 1764–1826
Cavalry Charging
1801
66
James Ward, 1769–1859
Study of a Plunging Eagle
undated
67
Print made by William Ward, 1766–1826
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
December 1, 1801
68
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
69
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
70
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785
71
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
72
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
73
John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk
ca. 1804
74
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc