Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
3
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
4
Gabriel Scorodomoff, 1748–1792
Reflections on Clarissa Harlow
1785
5
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
6
Francesco Bartolozzi, 1728–1815
The Cottagers
1794
7
unknown artist
King Henry VI, Second Part, Act 3, Scene 3
1801
8
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
9
William Finden, 1787–1852
The Bird's Nest
1834
10
William Finden, 1787–1852
Children Swinging
1834
11
William Finden, 1787–1852
Shepherds
1834
12
William Finden, 1787–1852
Lady Jane Grey
1834
13
William Finden, 1787–1852
A Voyage of Discovery
1834
14
William Finden, 1787–1852
An Arabesque
1834
15
William Finden, 1787–1852
An Alcove
1834
16
William Finden, 1787–1852
The Mask
1834
17
William Finden, 1787–1852
An Arabesque
1834
18
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
19
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
20
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
21
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
22
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
23
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
24
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
25
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
26
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
27
Peter Simon, 1750–1810
The Interview of Tom Jones and Sophia, After the Reconciliation
1789
28
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
29
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
30
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
31
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
32
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
33
Francesco Bartolozzi, 1728–1815
Maria of Moulines
1784
34
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
35
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
36
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
37
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
38
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
39
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
40
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
41
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
42
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
43
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
44
Francesco Bartolozzi, 1728–1815
Adelaide
1798
45
Francesco Bartolozzi, 1728–1815
Fonrose
1798
46
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
47
Print made by George Vertue, 1684–1756
William Cavendish of Newcastle
1739
48
after Sir Anthony Van Dyck, 1599–1641
William Cavendish, Duke of Newcastle
1836
49
Print possibly made by George Vertue, 1684–1756
William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
1713
50
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
undated
51
Print made by Jacobus Houbraken, 1698–1780
Sir Kenelm Digby
1748
52
Print made by George Vertue, 1684–1756
William Cavendish, Duke of Newcastle
1739
53
James Hardy, active 1770s
Joseph Baretti
1794
54
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
55
Francesco Bartolozzi, 1728–1815
Vortigern And Rowena
1788
56
Francesco Bartolozzi, 1728–1815
Tancred and Erminia
1784
57
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
58
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
59
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
60
Francesco Bartolozzi, 1728–1815
June
1789
61
Francesco Bartolozzi, 1728–1815
August
1793
62
Francesco Bartolozzi, 1728–1815
May
1793
63
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
64
Francesco Bartolozzi, 1728–1815
Cecilia
1783
65
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
66
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
67
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
68
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
69
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
70
Francesco Bartolozzi, 1728–1815
February
1793
71
Francesco Bartolozzi, 1728–1815
September
1793
72
Francesco Bartolozzi, 1728–1815
April
1790
73
Francesco Bartolozzi, 1728–1815
July
1789
74
Francesco Bartolozzi, 1728–1815
October
1793
75
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
76
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
77
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
78
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
79
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream
1788
80
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
81
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
82
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
83
Print made by Caroline Watson, 1760–1814
Elizabeth Carter
1808
84
George Vertue, 1684–1756
Ralph Cudworth
undated
85
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
86
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
87
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
88
George Vertue, 1684–1756
Sir Philip Sidney
1741
89
George Vertue, 1684–1756
Sir John Suckling
1744
90
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
91
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
92
George Vertue, 1684–1756
Edmund Spenser
1727
93
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
94
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
95
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
96
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II