Creator: Rowlandson, Thomas, 1756–1827 - YCBA Collections Search Search Results

501. The Family Picture

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. The Fair Penitent

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. A Tour in a Cathedral

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 7 inches (11.3 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. Fruit and Nut Picking

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, smooth, cream wove paper, mounted on board
Dimensions:: Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. Mad'elle du de l'Opera

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and red-brown, and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. Rag Fair or Rosemary Lane

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and red-brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 5 inches (18.4 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. The Sailor's Return

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 11/16 x 6 15/16 inches (22.1 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. Diners in a Chop Shop

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and brown and red-brown ink over graphite, verso: black crayon, graphite, and ink lines, numbers and tracing of recto image on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 6 5/8 inches (11.3 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. Comforts of Bath: Gouty Gourmands at Dinner

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Two Studies of a (?) French Cavalryman.

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray-brown ink; verso: graphite and pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/4 x 5 3/4 inches (10.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. A Black Leg Detected Secreting Cards

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 x 7 13/16 inches (12.7 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. Scene in a Monastery

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown and gray ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. Dr Syntax Alarmed by a Whale

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1812
Materials & Techniques:: Watercolor with pen and red-brown ink over graphite; verso, lower left: splotches of red, green and blue watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. The Pottery Shop

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 13/16 x 6 1/4 inches (9.7 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. The Slaughterhouse

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and black and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 x 7 9/16 inches (15.2 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. Comforts of Bath: Private Practice Previous to the Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 15/16 x 8 1/4 inches (15.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. Sleeping Woman Watched by a Man

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 x 7 3/4 inches (14.1 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. Providence—The Protection of Drunken Men

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1784
Materials & Techniques:: Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Frame: 8 1/8 × 10 5/8 × 1 1/8 inches (20.6 × 27 × 2.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. Spanish Inquisition

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. A Young Woman in a Blue Striped Dress

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 inches (19.4 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. Preparatory sketch for 'Dr Syntax Sketching the Lake'

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1812
Materials & Techniques:: Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. One Way to Stop Your Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 4 3/8 x 4 5/8 inches (11.1 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. The Kill

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. The Vicar of Wakefield: Frontispiece

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

531. Crowd by a Gibbet

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, smooth, beige wove paper, mounted on board
Dimensions:: Sheet: 6 x 8 3/8 inches (15.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

532. Elegant Company Dancing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and pen and red-brown, red, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/8 inches (11.4 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

533. Jealousy, Rage, Disappointment...

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

534. Dr O'Meara Preaching

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Watercolor over graphite with pen and dark gray ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/8 x 2 7/8 inches (10.5 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. Stag at Bay - Scene near Taplow, Berks.

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1801
Materials & Techniques:: Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. The Modern Egbert, or the King of Kings

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 13 1/8in. (21 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. A Touch of the Times

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13 7/8in. (24.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. The Reconciliation, or the Return from Scotland

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. A Lying-In Visit, or a Short-Sighted Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1786
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. An Essay on the Sublime and Beautiful, The Maiden Speech

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand colored
Dimensions:: Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. King's Place, or a View of (Monsieur Reynard's) Best Friends

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. The Departure

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. The Minister's Ass - Vide Gazetteer - November 11

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 3/16in. (21.9 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

545. Nap in the Country - Nap in Town

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. Procession to the Hustings after a Successful Canvass

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. Sir Cecil's Budget for Paying the National Debt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. False Courage

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. Reformation - or - The Wonderful Effects of a Proclamation!!!

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14 5/8in. (24.1 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. Bardolph Badger'd Or the Portland Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 14in. (21 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

554. Britania's Protection, or, Loyalty Triumphant

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 3/4in. (24.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. Reform Advised - Reform Begun - Reform Compleat (Complete)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

559. High Fun for John Bull or the Republicans put to their Last Shift

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

560. The Toper's Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 8 1/4in. (25.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

561. (The) A Grand Battle between the Famous English Cock and Russian Hen!

Creator:: Attributed to Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 3/16in. (21.6 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. An Irish Howl

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 11 3/4in. (22.5 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. Quae Genus on his Journey to London

Creator:: Print made by unknown artist
Date:: 1822
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 1/2 x 6in. (24.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. Encouragement of Arts &c, Adelphi

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 7/8 inches (27 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. The Hall and Stair Case, British Museum

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. Water Engine, Cold-Bath-Field's Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

571. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

572. Military College, Chelsea

Creator:: Augustus Charles Pugin, 1762–1832
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/4 × 10 7/8 inches (23.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

573. House of Lords

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. The Light House Volunteers of London and Westminster

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. Chelsea Hospital

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 10 9/16in. (22.9 x 26.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. Military College, Chelsea

Creator:: Thomas Sunderland, 1744–1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 x 12 3/4in. (27.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. Bishopsgate Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. Fire in London

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

579. The Hall, Carlton House

Creator:: Augustus Charles Pugin, 1762–1832
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/16 × 12 1/8 inches (25.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. Water Engine, Cold-Bath-Fields Prison

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 1/8 x 9 1/4in. (28.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

581. Billingsgate Market

Creator:: after Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 1/8 inches (23.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. Dengate Ward Volunteer

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

583. St. Paul's Cathedral

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

584. Greenwich Hospital, the Painted Hall

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

585. West India Docks

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

586. The Hall of the Auction Mart

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1811
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. Vaux-Hall

Creator:: Robert Pollard, 1755–1838
Date:: 1785
Materials & Techniques:: Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

588. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore

589. Witches in a Hayloft

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813?
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

590. A Picture of Misery

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

591. The Cobbler's Cure for a Scolding Wife

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 14 7/8 x 9 7/8 inches (37.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

592. Pass-Room Bridewell

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

593. Miseries Personal

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1807
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection,Gift of Mrs. Paul Moore

594. Bartholomew Fair

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

595. A Bird Eye View of Smithfield Market

Creator:: John Bluck, active 1791–1831
Date:: 1811
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

596. Somerset House, Strand

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

597. Society for the Encouragement of Arts

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. Surrey Institution

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

599. Vauxhall Garden

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

600. Quakers Meeting

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Rowlandson, Thomas, 1756–1827

Search Results

501. The Family Picture

502. The Fair Penitent

503. Embarkation at Southampton, June 20th 1794

504. A Tour in a Cathedral

505. Fruit and Nut Picking

506. Mad'elle du de l'Opera

507. Rag Fair or Rosemary Lane

508. The Sailor's Return

509. Diners in a Chop Shop

510. Comforts of Bath: Gouty Gourmands at Dinner

511. Two Studies of a (?) French Cavalryman.

512. A Black Leg Detected Secreting Cards

513. Scene in a Monastery

514. Dr Syntax Alarmed by a Whale

515. The Pottery Shop

516. The Slaughterhouse

517. Comforts of Bath: Coaches Arriving

518. Comforts of Bath: The Pump Room

519. Comforts of Bath: Private Practice Previous to the Ball

520. Sleeping Woman Watched by a Man

521. Providence—The Protection of Drunken Men

522. Spanish Inquisition

523. A Young Woman in a Blue Striped Dress

524. Preparatory sketch for 'Dr Syntax Sketching the Lake'

525. Doctor Syntax loses his Money on the Race Ground at York

526. One Way to Stop Your Horse

527. The Kill

528. The Vicar of Wakefield: Frontispiece

529. The Departure from Wakefield

530. Attendance on a Nobleman

531. Crowd by a Gibbet

532. Elegant Company Dancing

533. Jealousy, Rage, Disappointment...

534. Dr O'Meara Preaching

535. Stag at Bay - Scene near Taplow, Berks.

536. The Modern Egbert, or the King of Kings

537. A Touch of the Times

538. The Reconciliation, or the Return from Scotland

539. A Lying-In Visit, or a Short-Sighted Mistake

540. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

541. An Essay on the Sublime and Beautiful, The Maiden Speech

542. King's Place, or a View of (Monsieur Reynard's) Best Friends

543. The Departure

544. The Minister's Ass - Vide Gazetteer - November 11

545. Nap in the Country - Nap in Town

546. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

547. Procession to the Hustings after a Successful Canvass

548. Sir Cecil's Budget for Paying the National Debt

549. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

550. False Courage

551. Reformation - or - The Wonderful Effects of a Proclamation!!!

552. Bardolph Badger'd Or the Portland Hunt

553. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

554. Britania's Protection, or, Loyalty Triumphant

555. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

556. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

557. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

558. Reform Advised - Reform Begun - Reform Compleat (Complete)

559. High Fun for John Bull or the Republicans put to their Last Shift

560. The Toper's Mistake

561. (The) A Grand Battle between the Famous English Cock and Russian Hen!

562. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

563. An Irish Howl

564. English Barracks

565. French Barracks

566. Quae Genus on his Journey to London

567. Encouragement of Arts &c, Adelphi

568. The Hall and Stair Case, British Museum

569. The Bank

570. Water Engine, Cold-Bath-Field's Prison

571. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

572. Military College, Chelsea

573. House of Lords

574. The Light House Volunteers of London and Westminster

575. Chelsea Hospital