Materials & Techniques: line engraving / Period: 19th century / Genre: literary theme / Image Use: Free to Use

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Finden, 1787–1852

An Arrival

1830

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

Print made by Daniel Allen, active 1830s

Travelling Monks

1830

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870

Keswick Lake

1834

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by William Miller, 1796–1882

A Garden

1834

Print made by Edward Goodall, 1795–1870

The Gipsy

1834

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870

Greenwich Hospital

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1834

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by William Miller, 1796–1882

Loch Lomond

1834

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Print made by Robert Wallis, 1794–1878

Tornaro

1834

Print made by Edward Goodall, 1795–1870

A Village Fair

1834

Print made by William Miller, 1796–1882

An Old Manor House

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870

A Hurricane in the Desert

1834

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Print made by Edward Goodall, 1795–1870

Valombre

1834

Print made by Edward Goodall, 1795–1870

Captivity

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870

An Old Oak

1834

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Print made by William Finden, 1787–1852

Jorasse

1830

Print made by Daniel Allen, active 1830s

Cristina

1830

Edward Alfred Goodall, 1819–1908

A Tomb

1830

Print made by Edward Alfred Goodall, 1819–1908

Ginevra

1830

Print made by William Finden, 1787–1852

Travelling Musicians

1830

Print made by Edward Alfred Goodall, 1819–1908

A Tournament in St. Mark's Place

1830

Print made by Charles Rolls, 1800–active 1830

The Brides of Venice

1830

Print made by Daniel Allen, active 1830s

A Rural Entertainment

1830

Print made by Daniel Allen, active 1830s

Buondelmonte

1830

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Print made by Edward Alfred Goodall, 1819–1908

The Pilgrim

1830

Print made by John Henry Robinson, 1796–1871

The Tarentella

1830

Print made by John Henry Robinson, 1796–1871

Children on the Sea Shore

1830

Print made by Samuel Davenport, 1783–1867

The Blind Harper

1830

Print made by Robert Wallis, 1794–1878

Petrarch's Tomb

1830

Print made by W. R. Smith, active 1819–1851

Petrarch's House at Arqua

1830

William Finden, 1787–1852

Shepherds

1834

William Finden, 1787–1852

Lady Jane Grey

1834

Edward Alfred Goodall, 1819–1908

A Waterfall

1834

William Finden, 1787–1852

A Voyage of Discovery

1834

William Finden, 1787–1852

An Arabesque

1834

Francis Engleheart, 1775–1849

The Guitar

1829

William Finden, 1787–1852

An Arabesque

1834

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Print made by James T. Willmore, 1800–1863

Lochmaben Castle

1834

Print made by William Miller, 1796–1882

Melrose

1834

Print made by William Bernard Cooke, 1778–1855

Newark Castle

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by John Horsburgh, 1791–1869

Bermerside

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by John Horsburgh, 1791–1869

Mayburgh

1833

Print made by William Miller, 1796–1882

Scott's Birthplace, no. 39, Castle Street, Edinburgh

1839

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1836

Print made by Edward Goodall, 1795–1870

Datur Hora Quieti

1834

Print made by Edward Goodall, 1795–1870

Keswick Lake

1834

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques line engraving

Period 19th century

Genre literary theme

Image Use Free to Use

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Period 19th century

Genre literary theme

Image Use Free to Use

Search Results