The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)[remove]109
Exhibition HistoryThe Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
2
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
3
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
4
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
5
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
6
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
7
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
8
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
9
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
10
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
11
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
12
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
13
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
14
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
15
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
16
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
17
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
18
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
19
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
21
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
22
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
23
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
24
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
25
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
26
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
27
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
28
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
29
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
30
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
31
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
32
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
33
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
34
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
35
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
36
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
37
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
38
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
39
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
40
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
41
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
42
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
43
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
44
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
45
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
46
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
47
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
48
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
49
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
50
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
51
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
52
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 25)
1794
53
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
54
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 7)
1794
55
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
56
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
57
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
58
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
59
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
60
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
61
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
62
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 11)
1794
63
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
64
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
65
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
66
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
67
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
68
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
69
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
70
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
71
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
72
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
73
Print made by Richard Earlom, 1743–1822
Sensibility
1789
74
John Webber, 1752–1793
A Man of the Sandwich Islands
ca. 1784
75
James Barry, 1741–1806
The Phoenix or the Resurrection of Freedom
1776
76
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
77
Print made by Valentine Green, 1739–1813
Benjamin West and His Son Raphael
1775
78
Abraham Raimbach, 1784–1868
Key To The Figures In "The Death Of Chatham"
1794
79
Francesco Bartolozzi, 1728–1815
The Death of Chatham
1788
80
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
81
Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
82
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
83
Print made by James Barry, 1741–1806
King Lear and Cordelia
1776
84
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
85
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
86
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
87
Print made by John Raphael Smith, 1752–1812
Colonel Tarleton
1782
88
Print made by James Hardy, active 1770s
Edmund Burke Esqr
ca. 1780
89
Johann Jacobé, 1733–1797
Omai
1777
90
James Gillray, 1756–1815
The Death of the Great Wolf
1795
91
James Gillray, 1756–1815
Presages of the Millenium
1795
92
William Woollett, 1735–1785
The Death of General Wolfe
1776
93
William Sharp, 1749–1824
King Lear: Act III, Scene IV
1793
94
Figures engraved by William Sharp, 1749–1824
Niobe
1792
95
Print made by John Hall, 1739–1797
William Penn's Treaty with the Indians
1775
96
John Raphael Smith, 1752–1812
The Indian Widow
1789
97
John Keyse Sherwin, c.1751–1790
William Woollett
1784
98
Joseph Haynes, 1760–1829
Death on a Pale Horse
1784
99
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
100
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..