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Materials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomGenre literary theme
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1
- Sylvia
- 1786
2
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
3
- Cymon and Iphigenia
- 1797
4
- Reflections on Clarissa Harlow
- 1785
5
- Shakespeare, Macbeth Act IV, Scene I
- 1802
6
- The Cottagers
- 1794
7
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
8
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
9
- The Bird's Nest
- 1834
10
- Children Swinging
- 1834
11
- Shepherds
- 1834
12
- Lady Jane Grey
- 1834
13
- A Voyage of Discovery
- 1834
14
- An Arabesque
- 1834
15
- An Alcove
- 1834
16
- The Mask
- 1834
17
- An Arabesque
- 1834
18
- Mrs. Abington as Thalia
- 1783
19
- Ticket: Anacreontic Society Meeting
- 1773
20
- Mrs. W. West as Cordelia
- 1820
21
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
22
- Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
- 1793
23
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
24
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
25
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
26
- Twelfth Night, Act V, Scene I: The Street
- 1803
27
- The Interview of Tom Jones and Sophia, After the Reconciliation
- 1789
28
- John Henderson as Iago
- before 1786
29
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
30
- Taming of the Shrew, Act II Scene II
- 1795
31
- Ticket for the Benefit of Madame Banti
- 1797
32
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
33
- Maria of Moulines
- 1784
34
- Shakespeare's Tempest Act IV Scene I. Prospero's Cell
- 1800
35
- Ticket: Anacreontic Society Meeting
- 1779
36
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
37
- Concert Ticket For The Benefit of Madame Banti
- 1795
38
- John Henderson as Iago
- 1786
39
- The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
- 1745
40
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
41
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
42
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
43
- Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
- 1789
44
- Adelaide
- 1798
45
- Fonrose
- 1798
46
- Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
- 1745
47
- William Cavendish of Newcastle
- 1739
48
- William Cavendish, Duke of Newcastle
- 1836
49
- William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
- 1713
50
- William Cavendish, first Duke of Newcastle-upon-Tyne
- undated
51
- Sir Kenelm Digby
- 1748
52
- William Cavendish, Duke of Newcastle
- 1739
53
- Joseph Baretti
- 1794
54
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
55
- Vortigern And Rowena
- 1788
56
- Tancred and Erminia
- 1784
57
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
58
- King Lear, Act 4, Scene VII
- 1794
59
- Troilus and Cressida, Act 4, Scene II
- 1794
60
- June
- 1789
61
- August
- 1793
62
- May
- 1793
63
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
64
- Cecilia
- 1783
65
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
66
- As You Like It, Act IV, Orlando and Oliver
- 1788
67
- Sappho Embracing Love
- 1783
68
- Rinaldo et Armida
- 1785
69
- I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
- ca.1785
70
- February
- 1793
71
- September
- 1793
72
- April
- 1790
73
- July
- 1789
74
- October
- 1793
75
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
76
- Palamon and Arcite
- 1790
77
- Tom Jones Assisting Molly Seagrim
- 1782
78
- Reverend Hugh Blair, D.D
- 1801
79
- Queen Katherine's Dream
- 1788
80
- Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
- 1797
81
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
82
- Falstaff and his Friends
- ca. 1868
83
- Elizabeth Carter
- 1808
84
- Ralph Cudworth
- undated
85
- "Then go, bid the huntsmen wake them with their horns"
- 1802
86
- Taming the Shrew, Act III, Scene II
- 1793
87
- Fallstaff Playing the Prince, The Prince Playing the King
- 1796
88
- Sir Philip Sidney
- 1741
89
- Sir John Suckling
- 1744
90
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
91
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
92
- Edmund Spenser
- 1727
93
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
94
- "Hubert, let me not be bound!"
- 1802
95
- "Mark your divorce young sir, whom son I dare not call"
- 1804
96
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
97
- George Colman, The Elder
- 1813
98
- John Hawkesworth
- 1806
99
- Thomas Percy, Bishop of Dromore
- undated
100
- Mrs. Robinson
- 1792