Materials & Techniques: aquatint and etching (printing process) / Subject Terms: grass

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Materials & Techniques aquatint

Materials & Techniques etching (printing process)

Subject Terms grass

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Print made by John Copley, 1875–1950

Sheep in Twilight

1922

Print made by Bradshaw & Blacklock, active ca.1850

The Crimean War

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Print made by James Barry, 1741–1806

Sacra Christi Familia

undated

Print made by John Bluck, active 1791–1831

Clare Hall

1814

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

Print made by David Allan, 1744–1796

Glaud and Symon

1808

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by Bradshaw & Blacklock, active ca.1850

Country Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Turkish Scenes

after 1850

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