Materials & Techniques: etching (printing process) / Subject Terms: cows and hills

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Materials & Techniques etching (printing process)

Subject Terms cows

Subject Terms hills

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Richard Earlom, 1743–1822

A Landscape

1817

Sir Francis Seymour Haden, 1818–1910

A Lancashire River

1881

Print made by Miles Edmund Cotman, 1810–1858

Study of Trees on the Banks of the Yare

1846

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

Print made by George Bickham the Elder, 1683/4–1758

Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)

1730

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Print made by John Robert Cozens, 1752–1797

Bath: The Crescent

1773

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

Thomas Higham, 1796–1844

Red-Scar, the Residence of William Cross, Esquire

1832

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

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