Materials & Techniques: graphite / Creator Gender: male / Date: 1793

101. Bishop's Bridge, Norwich

Creator:: James Pattison Cockburn, 1779–1847
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 3/4 inches (19.4 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Sketch of a Hollow Tree Trunk

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Sketch of a Woman Carrying a Sack and a Basket

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 3 1/2 inches (15.6 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. The Castle on the Hill

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 18 5/8 inches (34.9 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. A Welsh Landscape a Lay-in'

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 10 1/4 inches (16.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Carnarvon Castle

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. James Ward, R.A.

Creator:: John Jackson, 1778–1831
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 9 1/2 inches (28.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. East Front of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Plan of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. View of Some-Cheon on French Island

Creator:: Thomas Daniell, 1749–1840
Date:: between 1793 and 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper mounted on canvas
Dimensions:: Sheet: 21 1/4 x 29 5/8 inches (54 x 75.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. View in the Province of Kiang-nan, China, Taken from Nature

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 9/16 x 9 11/16 inches (19.2 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Fort Opposite the Factory, Canton

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor. pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Dent de Lion, Margate, Kent

Creator:: William Alexander, 1767–1816
Date:: ca. 1798
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 8 3/8 inches (24.4 × 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Sirree

Creator:: Samuel Davis, 1760–1819
Date:: July 1793
Materials & Techniques:: Watercolor and pen and brown ink, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. East View of the Forts Jellali and Merani, Muskat

Creator:: Thomas Daniell, 1749–1840
Date:: 1793
Materials & Techniques:: Watercolor, brown ink, black ink, and graphite on thick, moderately textured, light blue laid paper
Dimensions:: Sheet: 14 x 18 1/4 inches (35.6 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Fisherpeople on a Junk

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. View of St. Nicholas Church at Valenciennes after the Siege

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. View of the Convent of the Clarisses at Valenciennes after the Seige

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. A Barge on the Thames near Fulton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 7/8 inches (12.1 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Enlarged Detail of Figures from Painting Shown in Previous Sketch

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 9 5/8 × 5 inches (24.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Paintings on the Wall by H in Plan

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. A Devonshire Farm

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Harewood House, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/16 x 14 1/4 inches (18.9 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Trees and Pond near Bromley, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor and gouache over graphite; verso: graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/16 x 12 5/16 inches (20.8 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Warkworth Castle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gum, touched with gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/8 x 21 3/4 inches (41.6 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Tonbridge Castle, Kent, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 15/16 × 7 1/16 inches (22.7 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Duff House, Scotland

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Duff House, Scotland

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Figure Costume Study: French Lady of Quality in 1501

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite, gray wash and violet chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Portrait of Mrs. Wilks of Madras

Creator:: John Smart, 1741–1811
Date:: 1793
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 6 3/8 inches (17.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Figure Costume Study: Persian Lady in 1568

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/2 × 3 inches (11.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Figure Costume Study of Edward VI in 1550

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 × 2 3/4 inches (10.2 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Figure Costume Study: Noble Virgin of Bologna

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite with brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/8 × 3 inches (11.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Figure Costume Study of Henry VIII

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/4 x 2 7/8 inches (10.8 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Figure Costume Study: English Nobleman

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/4 x 3 1/4 inches (10.8 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. A Temple in Harewood Park

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. The New Walk, York

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Hafod: Upper Part of Cascade

Creator:: John Warwick Smith, 1749–1831
Date:: 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. The Peasant's Dream, Paradise Lost, Book 1, 781-8

Creator:: Henry Fuseli, 1741–1825
Date:: 1793 to 1800
Materials & Techniques:: Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Barn Elmes

Creator:: Edward Edwards, 1738–1806
Date:: 1793
Materials & Techniques:: Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:: Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Watering Place of Nauka Islands, off Banca, 1 May

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques graphite

Creator Gender male

Date 1793

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101. Bishop's Bridge, Norwich

102. Sketch of a Hollow Tree Trunk

103. Sketch of a Woman Carrying a Sack and a Basket

104. The Castle on the Hill

105. A Welsh Landscape a Lay-in'

106. Carnarvon Castle

107. James Ward, R.A.

108. Continuation of the Preceeding Ornaments

109. East Front of Painted Chamber

110. East End, Painted Chamber

111. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

112. Side Window, North, Painted Chamber

113. Plan of Painted Chamber

114. Wall Paintings

115. Door on South Side of Painted Chamber

116. View of Some-Cheon on French Island

117. View in the Province of Kiang-nan, China, Taken from Nature

118. Fort Opposite the Factory, Canton

119. The Dent de Lion, Margate, Kent

120. Sirree

121. East View of the Forts Jellali and Merani, Muskat

122. Fisherpeople on a Junk

123. View of St. Nicholas Church at Valenciennes after the Siege

124. View of the Convent of the Clarisses at Valenciennes after the Seige

125. A Barge on the Thames near Fulton

126. North Side, Painted Chamber

127. Enlarged Detail of Figures from Painting Shown in Previous Sketch

128. Paintings on the Wall by H in Plan

129. A Devonshire Farm

130. Harewood House, Yorkshire

131. Trees and Pond near Bromley, Kent

132. Warkworth Castle, Northumberland

133. Tonbridge Castle, Kent, England

134. Duff House, Scotland

135. Duff House, Scotland

136. Figure Costume Study: French Lady of Quality in 1501

137. Portrait of Mrs. Wilks of Madras

138. Figure Costume Study: Persian Lady in 1568

139. Figure Costume Study of Edward VI in 1550

140. Figure Costume Study: Noble Virgin of Bologna

141. Figure Costume Study of Henry VIII

142. Figure Costume Study: English Nobleman

143. A Temple in Harewood Park

144. The New Walk, York

145. Hafod: Upper Part of Cascade

146. The Peasant's Dream, Paradise Lost, Book 1, 781-8

147. Barn Elmes

148. Watering Place of Nauka Islands, off Banca, 1 May