<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques laid paper

Remove constraint Materials & Techniques: laid paper

Period 18th century

Remove constraint Period: 18th century

Topic subjectplace ss City of Westminster

Remove constraint Topic subjectplace ss: City of Westminster

Search Results

Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
Paul Sandby An Encampment in St. James Park
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
Michael "Angelo" Rooker Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
Thomas Sandby Whitehall Showing Holbein's Gate and Banqueting Hall
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
unknown artist Whitehall Palace, London: Elevation of Proposed Design
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
unknown artist Whitehall Palace, London: Section of Proposed Design
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
Canaletto The City of Westminster from Near the York Water Gate
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
Michael "Angelo" Rooker Scenery, Haymarket Theatre
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
Louis Philippe Boitard The Earthquake Scare in Piccadilly
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
James Gillray Shakespeare Sacrificed; or, The Offering to Avarice
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Michael "Angelo" Rooker The Admiralty Building from Whitehall
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
Samuel Scott The Thames with Montagu House and Westminster Bridge
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
unknown artist Details of the Screen of Entrance Porch, St Stephen's Chapel
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter South View of the Abbey Church, Westminster, Taken from Dean's Yard
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
John Carter Continuation of the Preceeding Ornaments
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter East Front of Painted Chamber
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
John Carter Side Window, North, Painted Chamber
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
John Carter East End, Painted Chamber
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
Samuel Scott Westminster Bridge under Construction
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
unknown artist A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
unknown artist Entrance Doorway in the Tower, St Stephen's Chapel
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
John Carter Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
unknown artist Details of Capitals and Arches, Painted Chamber
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
John Carter Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
John Carter Enlarged Detail of Figures from Painting Shown in Previous Sketch
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
John Carter Paintings on the Wall by H in Plan
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
John Carter Details of one of the Figures
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
John Carter Wall Paintings
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
John Carter Seats in Henry VII Chapel, Westminster Abbey
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
John Carter North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
John Carter Door-way in Wall of South Precints of Westminster Abbey
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
unknown artist View of the Office of Ordnance with the Entrance of the House of Lords
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
Charles Grignion House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
unknown artist Entrance of the House of Lords with the Office of Ordnance
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
William Henry Toms The South-East Prospect of King Henry The VII's Chapel at Westminster
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
Edward Rooker Henry the Seventh's Chapel
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
John Carter Window, Dean's Yard
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
John Carter Figure study, Henry VII Chapel
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
Thomas Rowlandson Skating on the Serpentine
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790