A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
3
Francesco Bartolozzi, 1728–1815
Adelaide
1798
4
Francesco Bartolozzi, 1728–1815
Adelaide
1798
5
Francesco Bartolozzi, 1728–1815
Alcander and Nerina
1784
6
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
7
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
8
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
9
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
10
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
11
Francesco Bartolozzi, 1728–1815
April
1790
12
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
13
Francesco Bartolozzi, 1728–1815
August
1793
14
Francesco Bartolozzi, 1728–1815
Cecilia
1783
15
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
16
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
17
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
18
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
19
Francesco Bartolozzi, 1728–1815
Cordelia
1784
20
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
21
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
22
Francesco Bartolozzi, 1728–1815
Death of Dido
23
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
24
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
25
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
26
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
27
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
28
Francesco Bartolozzi, 1728–1815
Edmond Malone, Esqr
1787
29
George Vertue, 1684–1756
Edmund Spenser
1727
30
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
31
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
32
Francesco Bartolozzi, 1728–1815
February
1793
33
Francesco Bartolozzi, 1728–1815
Fonrose
1798
34
Francesco Bartolozzi, 1728–1815
Fonrose
1798
35
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
36
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
37
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
38
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
39
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
40
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
41
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
42
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
43
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
44
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
45
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
46
Simon François Ravenet, 1706–1774
Isaac Watts
undated
47
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
48
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
49
Print made by Joseph Strutt, 1749–1802
John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
1788 to 1791
50
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
51
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
52
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
53
James Hardy, active 1770s
Joseph Baretti
1794
54
Francesco Bartolozzi, 1728–1815
July
1789
55
Francesco Bartolozzi, 1728–1815
June
1789
56
Francesco Bartolozzi, 1728–1815
Jupiter and Io
1784
57
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
58
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
59
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
60
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
61
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
1787
62
Francesco Bartolozzi, 1728–1815
Lauretta
1776
63
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
64
Francesco Bartolozzi, 1728–1815
Lodona
1792
65
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
66
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
67
Francesco Bartolozzi, 1728–1815
Maria of Moulines
1784
68
Francesco Bartolozzi, 1728–1815
May
1793
69
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
70
Print made by Thomas Watson, 1743–1781
Miss Elizabeth Beauclerc as 'Una'
1782
71
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
72
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
73
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
74
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
75
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
76
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
77
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
78
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
79
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
80
Print made by John Ogborne the Elder, 1755–1795
Mrs. Jordan in the Character of the Romp
1788
81
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
82
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
83
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
84
Francesco Bartolozzi, 1728–1815
October
1793
85
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
86
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
87
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
88
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
89
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
90
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
91
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
92
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
93
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
94
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
95
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
96
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
97
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II