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Materials & Techniques stipple engraving

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Period 18th century

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Francesco Bartolozzi ...Scuote, il Lembo Pieno; e Nella Torbida Onda...
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
Francesco Bartolozzi A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
Francesco Bartolozzi Adelaide
Francesco Bartolozzi, 1728–1815
Adelaide
1798
Francesco Bartolozzi Adelaide
Francesco Bartolozzi, 1728–1815
Adelaide
1798
Francesco Bartolozzi Alcander and Nerina
Francesco Bartolozzi, 1728–1815
Alcander and Nerina
1784
Francesco Bartolozzi Alexander and Nerina
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
Francesco Bartolozzi Alphonso and Aciloe
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
Francesco Bartolozzi Angelica And Medora
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
Francesco Bartolozzi Angelica, e Medoro in Varj Modi...
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
Francesco Bartolozzi Anthony and Cleopatra, Act 3, Scene II
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
Francesco Bartolozzi April
Francesco Bartolozzi, 1728–1815
April
1790
Francesco Bartolozzi As You Like It, Act IV, Orlando and Oliver
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
Francesco Bartolozzi August
Francesco Bartolozzi, 1728–1815
August
1793
Francesco Bartolozzi Cecilia
Francesco Bartolozzi, 1728–1815
Cecilia
1783
Francesco Bartolozzi Celadon and Amelia
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
Francesco Bartolozzi Chryseis Restored To Her Father
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
Francesco Bartolozzi Concert Ticket For The Benefit of Madame Banti
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Cordelia
Francesco Bartolozzi, 1728–1815
Cordelia
1784
Francesco Bartolozzi Coriolanus, Act 5, Scene III
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
Francis Haward Cymon and Iphigenia
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
Francesco Bartolozzi Death of Dido
Francesco Bartolozzi, 1728–1815
Death of Dido
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
Francesco Bartolozzi E d'Uccider se Stesso in Pensier Venne...
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
Francesco Bartolozzi Edmond Malone, Esqr.
Francesco Bartolozzi, 1728–1815
Edmond Malone, Esqr
1787
George Vertue Edmund Spenser
George Vertue, 1684–1756
Edmund Spenser
1727
Thomas Watson Elizabeth Ann Sheridan (née Linley) as St. Cecilia
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
Thomas Macklin Fallstaff Playing the Prince, The Prince Playing the King
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
Francesco Bartolozzi February
Francesco Bartolozzi, 1728–1815
February
1793
Francesco Bartolozzi Fonrose
Francesco Bartolozzi, 1728–1815
Fonrose
1798
Francesco Bartolozzi Fonrose
Francesco Bartolozzi, 1728–1815
Fonrose
1798
Francesco Bartolozzi Gualtherus and Griselda
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
Robert Dighton Hamlet in Scotland
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
Francesco Bartolozzi Hercules and Omphale
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
Francesco Bartolozzi I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
Francesco Bartolozzi Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
Francesco Bartolozzi Illustration From Bell's Edition of The Poets of Great Britain
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
Francesco Bartolozzi Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
Simon François Ravenet Isaac Watts
Simon François Ravenet, 1706–1774
Isaac Watts
undated
Francesco Bartolozzi Jane Shore
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
Francesco Bartolozzi Jane Shore
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
Joseph Strutt John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
Print made by Joseph Strutt, 1749–1802
John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
1788 to 1791
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
Francesco Bartolozzi Joseph Andrews
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
James Hardy Joseph Baretti
James Hardy, active 1770s
Joseph Baretti
1794
Francesco Bartolozzi July
Francesco Bartolozzi, 1728–1815
July
1789
Francesco Bartolozzi June
Francesco Bartolozzi, 1728–1815
June
1789
Francesco Bartolozzi Jupiter and Io
Francesco Bartolozzi, 1728–1815
Jupiter and Io
1784
Francesco Bartolozzi King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
Francesco Bartolozzi King Lear, Act 4, Scene VII
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
Francesco Bartolozzi Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
1787
Francesco Bartolozzi Lauretta
Francesco Bartolozzi, 1728–1815
Lauretta
1776
Francesco Bartolozzi Lo Corse ad Abbracciare, e a Sargli Sesta...
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
Francesco Bartolozzi Lodona
Francesco Bartolozzi, 1728–1815
Lodona
1792
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
Francesco Bartolozzi Macbeth, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
Francesco Bartolozzi Maria of Moulines
Francesco Bartolozzi, 1728–1815
Maria of Moulines
1784
Francesco Bartolozzi May
Francesco Bartolozzi, 1728–1815
May
1793
Francesco Bartolozzi Miss Anna Brunton
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
Thomas Watson Miss Elizabeth Beauclerc as 'Una'
Print made by Thomas Watson, 1743–1781
Miss Elizabeth Beauclerc as 'Una'
1782
Francesco Bartolozzi Morte de Clorinda
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
Francesco Bartolozzi Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
Francesco Bartolozzi Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
William Nutter Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
Peltro W. Tomkins Mrs Seaforth as, Tuccia - The Vestal Virgin
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
John Keyse Sherwin Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
John Ogborne the Elder Mrs. Jordan in the Character of the Romp
Print made by John Ogborne the Elder, 1755–1795
Mrs. Jordan in the Character of the Romp
1788
William Birch Mrs. Robinson
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
Francis Haward Mrs. Siddons, in the Character of the Tragic Muse
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
Francesco Bartolozzi My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
Francesco Bartolozzi October
Francesco Bartolozzi, 1728–1815
October
1793
Francesco Bartolozzi Ophelia vide Hamlet, Act 4, Scene VII
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
Francesco Bartolozzi Orlando Rescues Olympia From The Orca In The Island Ebuda
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
Francesco Bartolozzi Palamon and Arcite
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Francesco Bartolozzi Poetry And History, Presenting Painting, With Subjects For Her Pencil
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
Francesco Bartolozzi Polyhemus, Playing The Panpipes For Galatea
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
Francesco Bartolozzi Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793
Francesco Bartolozzi Prospero Disarming Ferdinand, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
Francesco Bartolozzi Queen Katherine's Dream
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream
1788
Francesco Bartolozzi Queen Katherine's Dream - "Henry VIII"
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788