Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
211
Francesco Bartolozzi, 1728–1815
The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown
1786
212
Francesco Bartolozzi, 1728–1815
Certificate From The Royal Academy, Appointing John Opie, As An Academician
1788
213
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
214
Francesco Bartolozzi, 1728–1815
The Rural Italian's Wedding
1775
215
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
216
Francesco Bartolozzi, 1728–1815
Reapers
1790
217
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
218
Print made by Agostino Brunias, 1728–1796
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
219
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
220
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
221
Francesco Bartolozzi, 1728–1815
The Judgement of Paris
1785
222
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
223
Francesco Bartolozzi, 1728–1815
Love
ca. 1783
224
Francesco Bartolozzi, 1728–1815
The Transparency Picture at the Bank of England
1790
225
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
226
Francesco Bartolozzi, 1728–1815
Love and Fortune
1789
227
Francesco Bartolozzi, 1728–1815
Painting and Sculpture
1793
228
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
229
Francesco Bartolozzi, 1728–1815
Prudence
1783
230
Francesco Bartolozzi, 1728–1815
Vigilance
1782
231
Francesco Bartolozzi, 1728–1815
Design For A Fan
1782
232
Francesco Bartolozzi, 1728–1815
Cottagers at the Bottom of Mt. Vesuvius
1799
233
Print made by William Henry Simmons, 1811–1882
The Departure (Second Class)
1857
234
Francesco Bartolozzi, 1728–1815
Design for Sir Joshua Reynold's Funeral Card
235
Print made by Thomas Ryder, 1746–1810
The Captive
1786
236
Print made by William Nelson Gardiner, 1766–1814
November
1788
237
Print made by Francesco Bartolozzi, 1728–1815
Noon
undated
238
Print made by Francesco Bartolozzi, 1728–1815
Evening
undated
239
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
240
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
241
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
242
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
243
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
244
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
245
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
246
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
247
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny
1793
248
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
249
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
250
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
251
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
252
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
253
Print made by Tiburce de Mare, 1840–1900
The Negligent Boy
ca. 1868
254
Print made by Herbert Bourne, ca. 1820–after 1885
The Butt, Shooting a Cherry
ca. 1869
255
Print made by Richard Hamilton, 1922–2011
In Horne's House
1982
256
Print made by Charles Rolls, 1800–active 1830
The Wayside in Italy
ca. 1883
257
Print made by William Henry Simmons, 1811–1882
The Return (First Class)
1857
258
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
259
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
260
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
261
James Fittler, 1758–1835
Mail Coach
ca. 1787
262
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
263
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
264
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
265
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
266
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
267
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door