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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1774

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Period 18th century-19th century

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Subject Terms landscape

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Search Results

Dr. Thomas Monro Composition: Marshland Landscape
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
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Dr. Thomas Monro Composition: The Edge of a Wood
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
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Dr. Thomas Monro Composition: Italian Seascape Effect
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
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Dr. Thomas Monro Composition: Hilly Country
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
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Dr. Thomas Monro Seashore with Sand Dunes
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
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Dr. Thomas Monro Landscape with Trees and two Figures
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
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Dr. Thomas Monro Composition of Rocks and Pine Trees
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
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Dr. Thomas Monro Composition inspired by Richard Wilson's Paintings of Cader Idris
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
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Dr. Thomas Monro Cottage amongst Trees
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
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John Renton Lake and Mountains
Attributed to John Renton, 1774–c.1841
Lake and Mountains
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John Thomas Serres Gibraltar, The Signal House
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
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John Thomas Serres Old Harry, Swanage Bay
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
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John Thomas Serres The Bolt Head, West North West (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
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John Thomas Serres The Start Point, North East by North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
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John Thomas Serres Dunmose, West by North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
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John Thomas Serres Dover Castle, North East, 1/2 North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
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John Thomas Serres The Bill of Portland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
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John Thomas Serres The North Foreland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
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John Thomas Serres The South Foreland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
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John Thomas Serres The Needles Bearing East (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
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John Thomas Serres The Ram Head (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
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Dr. Thomas Monro The Edge of the Lake
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
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John Thomas Serres Bolt Head, South East, 1/2 South (4 or 5 miles)
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
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John Thomas Serres Gibraltar, South West by West
John Thomas Serres, 1759–1825
Gibraltar, South West by West
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John Thomas Serres St. Maws Castle, Falmouth, East South East
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
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John Thomas Serres The Start, West North West
John Thomas Serres, 1759–1825
The Start, West North West
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John Thomas Serres The High Land of Dungarven, West by North
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
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John Thomas Serres Piveral Point (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
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Julius Caesar Ibbetson Supported by a Bramble
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
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Robert Hills Landscape with Trees
attributed to Robert Hills, 1769–1844
Landscape with Trees
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