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On-site Access Accessible by appointment in the Study Room

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Date 1827

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Alfred Gomersal Vickers Red Square, Moscow
Alfred Gomersal Vickers, 1810–1837
Red Square, Moscow
1827
Richard Gilson Reeve Coaching: The Mail Coach in a Thunder on Newmarket Heath
Richard Gilson Reeve, 1803–1889
Coaching: The Mail Coach in a Thunder on Newmarket Heath
1827
John Frederick Lewis The Valley of Lutscheuen
John Frederick Lewis, 1804–1876
The Valley of Lutscheuen
1827
John Frederick Lewis Tyrolese Hunters
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
George Cooke Canonbury House, Islington
Print made by George Cooke, 1781–1834
Canonbury House, Islington
1827
Henry Heath Poodles preparing for an AQUATIC EXCURSION
Henry Heath, active 1824–1835
Poodles preparing for an AQUATIC EXCURSION
1827
Henry Heath And did you not hear of a jolly young water man who at famd Westminster bridge used to ply
Henry Heath, active 1824–1835
And did you not hear of a jolly young water man who at famd Westminster bridge used to ply
1827
Henry Heath Where the Carcase is, there will ... the Birds of Prey be gathered
Henry Heath, active 1824–1835
Where the Carcase is, there will ... the Birds of Prey be gathered
1827
unknown artist Greater Sulphur Crested Cockatoo
unknown artist
Greater Sulphur Crested Cockatoo
ca. 1832
Henry Dawe Duke of Clarence
Print made by Henry Dawe, 1790–1848
Duke of Clarence
1827
George Cooke Hanover Terrace, Regent's Park
Print made by George Cooke, 1781–1834
Hanover Terrace, Regent's Park
1827
George Cooke Hanover Terrace, Regent's Park
Print made by George Cooke, 1781–1834
Hanover Terrace, Regent's Park
1827
John Cochran Sir William Jones
Print made by John Cochran, active 1825–1854
Sir William Jones
ca. 1832
R.C. Roffe Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
Benjamin Holl Shakspeare
Benjamin Holl, 1808–1884
Shakspeare
1827
Frederick Rosenberg The Mail Coach in a Flood
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
George Birch Plan and View of Room under the Painted Chamber
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
Benjamin Holl Shakspeare
Benjamin Holl, 1808–1884
Shakspeare
1827
Robert Cooper Shakspeare
after Robert Cooper, ca. 1800–1836
Shakspeare
1827
Abraham Wivell Will. Shakespere
after Abraham Wivell, 1786–1899
Will. Shakespere
1827
Abraham Wivell Shakspeare
after Abraham Wivell, 1786–1899
Shakspeare
1827
Abraham Wivell Shakspeare
Abraham Wivell, 1786–1899
Shakspeare
1827
William Holl II Shakspeare
William Holl II, 1807–1871
Shakspeare
1827
William Holl II Will. Shakespere
William Holl II, 1807–1871
Will. Shakespere
1827
Charles James Richardson Sections of Room under Painted Chamber
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
R.C. Roffe A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
William Holl II Guglielm Shakspeare
William Holl II, 1807–1871
Guglielm Shakspeare
1827
Thomas Landseer Hookey Walker
Print made by Thomas Landseer, 1795–1880
Hookey Walker
1827
Samuel Laurence Anastasia Gliddon Laurence
Samuel Laurence, 1812–1884
Anastasia Gliddon Laurence
undated
Charles H. Jeens William Blake
Charles H. Jeens, 1827–1879
William Blake
1827
James Thomson Abraham Cooper, R.A.
James Thomson, 1789–1850
Abraham Cooper, R.A
1827
Charles Fox John Burnet, Author of "Practical Hints on Painting"
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
Charles Turner John Flaxman
Charles Turner, 1774–1857
John Flaxman
1827
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
Charles Picart William Shakspeare
Charles Picart, c.1780–1837
William Shakspeare
1827
Henry Heath A Complete Turn-Out among the Cabinet-Makers
Print made by Henry Heath, active 1824–1835
A Complete Turn-Out among the Cabinet-Makers
1827
Henry Heath The Buck-Basket. A scene from the Merry Wives of Windsor
Print made by Henry Heath, active 1824–1835
The Buck-Basket. A scene from the Merry Wives of Windsor
1827
Henry Heath Diogenes in Search of an Honest Ministry
Print made by Henry Heath, active 1824–1835
Diogenes in Search of an Honest Ministry
1827
Henry Heath Out of Court. Auspicium Melioris Devi
Print made by Henry Heath, active 1824–1835
Out of Court. Auspicium Melioris Devi
1827
James Pattison Cockburn Italianate Landscape
James Pattison Cockburn, 1779–1847
Italianate Landscape
ca. 1832
Henry Heath A Parti Carré for a Crown
Print made by Henry Heath, active 1824–1835
A Parti Carré for a Crown
1827
David Cox On the Wye
David Cox, 1783–1859
On the Wye
ca. 1832
Christopher Hewetson Westdean House, the Seat of Lord Selsey
Print made by Christopher Hewetson, 1737/38–1798
Westdean House, the Seat of Lord Selsey
1827
George Cooke The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq.
Print made by George Cooke, 1781–1834
The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq
1827
Henry Dawe Duke of Clarence
Print made by Henry Dawe, 1790–1848
Duke of Clarence
1827
William Westall St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton
William Westall, 1781–1850
St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton
1827 or 1828
Frederick James Havell The Limehouse Dock, Regent's Canal
Print made by Frederick James Havell, 1801–1840
The Limehouse Dock, Regent's Canal
1827
George Chinnery Chinese Father and Child with Dog
George Chinnery, 1774–1852
Chinese Father and Child with Dog
1827
John Sell Cotman A Summer Day
John Sell Cotman, 1782–1842
A Summer Day
1827 to 1837
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Chamber Floor Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
Thomas Cundy Design for Grosvenor House, London
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
James Pattison Cockburn Hussars
James Pattison Cockburn, 1779–1847
Hussars
ca. 1832
James Pattison Cockburn Trotting Past
James Pattison Cockburn, 1779–1847
Trotting Past
ca. 1832
James Pattison Cockburn Hall in a Gothic Mansion
James Pattison Cockburn, 1779–1847
Hall in a Gothic Mansion
ca. 1832
James Pattison Cockburn Group of Figures Round a Distant Bonfire in a Wood
James Pattison Cockburn, 1779–1847
Group of Figures Round a Distant Bonfire in a Wood
ca. 1832
James Pattison Cockburn Cuirassiers
James Pattison Cockburn, 1779–1847
Cuirassiers
ca. 1832
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Robert Hills In the Vaux, Jersey
Robert Hills, 1769–1844
In the Vaux, Jersey
ca. 1832
Robert Hills Farm Buildings in the Vaux, Jersey
Robert Hills, 1769–1844
Farm Buildings in the Vaux, Jersey
ca. 1832
William Daniell Windsor Castle from near Brocas Meadows
William Daniell, 1769–1837
Windsor Castle from near Brocas Meadows
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Illustrations to Dante's "Divine Comedy"
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
Henry Thomas Alken The Eagle Paris and Dover [sic] Coach
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
Frederick Tatham Life of Blake
Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
Samuel William Reynolds Meditation
Samuel William Reynolds, 1773–1835
Meditation
1827
John Martin Illustrations to Milton's 'Paradise Lost'
John Martin, 1789–1854
Illustrations to Milton's 'Paradise Lost'
1827
Octavius Oakley Agnes and Emma Coke and Sarah Salmond in a Park
Octavius Oakley, 1800–1867
Agnes and Emma Coke and Sarah Salmond in a Park
1827
George Hunt 1st of September
George Hunt, active 1820–1840
1st of September
1827
Henry Harris Lines Album of 50 sketches made in the years 1827 and 1828 for H.C.
Henry Harris Lines, 1801–1899
Album of 50 sketches made in the years 1827 and 1828 for H.C
1827-1828
Richard James Lane Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
Richard James Lane Don Quixote and Sancho Panza (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
Richard James Lane Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
Richard James Lane Love, Jealously, Revenge and Despair
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
Richard James Lane Modesty/ Modestie (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
Richard James Lane A Girl at her Devotions (Volume of 102 Lithographs)
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
Richard James Lane The Orphans (Volume of 102 Lithographs)
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
Richard James Lane Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
Richard James Lane Impudence/ Impudence (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
Henry Pyall Mail Coach Behind Time
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
Richard James Lane Girl and Parrot (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
Richard James Lane La Rosa Parlante (Volume of 102 lithographs)
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
Thomas D. W. Dearn Woman by a Fence outside a Thatched Cottage
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
Henry Thomas Alken Fox Hunting: Leicestershire - Getting Away
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
George Hunt Stage Coach
George Hunt, active 1820–1840
Stage Coach
1827
Charles Hunt [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
Frederick Rosenberg Coaching: The Mail Coach in a Flood
Frederick Rosenberg, active 1816–1832
Coaching: The Mail Coach in a Flood
1827
George Alken Set of Four - Racing: Coming In
George Alken, 1794–active 1837
Set of Four - Racing: Coming In
1827