Coaching: The Mail Coach in a Thunder on Newmarket Heath
1827
403
John Frederick Lewis, 1804–1876
The Valley of Lutscheuen
1827
404
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
405
Print made by George Cooke, 1781–1834
Canonbury House, Islington
1827
406
Henry Heath, active 1824–1835
Poodles preparing for an AQUATIC EXCURSION
1827
407
Henry Heath, active 1824–1835
And did you not hear of a jolly young water man who at famd Westminster bridge used to ply
1827
408
Henry Heath, active 1824–1835
Where the Carcase is, there will ... the Birds of Prey be gathered
1827
409
unknown artist
Greater Sulphur Crested Cockatoo
ca. 1832
410
Print made by Henry Dawe, 1790–1848
Duke of Clarence
1827
411
Print made by George Cooke, 1781–1834
Hanover Terrace, Regent's Park
1827
412
Print made by George Cooke, 1781–1834
Hanover Terrace, Regent's Park
1827
413
Print made by John Cochran, active 1825–1854
Sir William Jones
ca. 1832
414
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
415
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
416
Benjamin Holl, 1808–1884
Shakspeare
1827
417
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
418
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
419
Benjamin Holl, 1808–1884
Shakspeare
1827
420
after Robert Cooper, ca. 1800–1836
Shakspeare
1827
421
after Abraham Wivell, 1786–1899
Will. Shakespere
1827
422
after Abraham Wivell, 1786–1899
Shakspeare
1827
423
Abraham Wivell, 1786–1899
Shakspeare
1827
424
William Holl II, 1807–1871
Shakspeare
1827
425
William Holl II, 1807–1871
Will. Shakespere
1827
426
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
427
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
428
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
429
William Holl II, 1807–1871
Guglielm Shakspeare
1827
430
Print made by Thomas Landseer, 1795–1880
Hookey Walker
1827
431
Samuel Laurence, 1812–1884
Anastasia Gliddon Laurence
undated
432
Charles H. Jeens, 1827–1879
William Blake
1827
433
James Thomson, 1789–1850
Abraham Cooper, R.A
1827
434
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
435
Charles Turner, 1774–1857
John Flaxman
1827
436
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
437
Charles Picart, c.1780–1837
William Shakspeare
1827
438
Print made by Henry Heath, active 1824–1835
A Complete Turn-Out among the Cabinet-Makers
1827
439
Print made by Henry Heath, active 1824–1835
The Buck-Basket. A scene from the Merry Wives of Windsor
1827
440
Print made by Henry Heath, active 1824–1835
Diogenes in Search of an Honest Ministry
1827
441
Print made by Henry Heath, active 1824–1835
Out of Court. Auspicium Melioris Devi
1827
442
James Pattison Cockburn, 1779–1847
Italianate Landscape
ca. 1832
443
Print made by Henry Heath, active 1824–1835
A Parti Carré for a Crown
1827
444
David Cox, 1783–1859
On the Wye
ca. 1832
445
Print made by Christopher Hewetson, 1737/38–1798
Westdean House, the Seat of Lord Selsey
1827
446
Print made by George Cooke, 1781–1834
The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq
1827
447
Print made by Henry Dawe, 1790–1848
Duke of Clarence
1827
448
William Westall, 1781–1850
St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton
1827 or 1828
449
Print made by Frederick James Havell, 1801–1840
The Limehouse Dock, Regent's Canal
1827
450
George Chinnery, 1774–1852
Chinese Father and Child with Dog
1827
451
John Sell Cotman, 1782–1842
A Summer Day
1827 to 1837
452
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
453
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
454
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
455
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
1827
456
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
457
James Pattison Cockburn, 1779–1847
Hussars
ca. 1832
458
James Pattison Cockburn, 1779–1847
Trotting Past
ca. 1832
459
James Pattison Cockburn, 1779–1847
Hall in a Gothic Mansion
ca. 1832
460
James Pattison Cockburn, 1779–1847
Group of Figures Round a Distant Bonfire in a Wood
ca. 1832
461
James Pattison Cockburn, 1779–1847
Cuirassiers
ca. 1832
462
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
463
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
464
Robert Hills, 1769–1844
In the Vaux, Jersey
ca. 1832
465
Robert Hills, 1769–1844
Farm Buildings in the Vaux, Jersey
ca. 1832
466
William Daniell, 1769–1837
Windsor Castle from near Brocas Meadows
1827
467
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
468
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
469
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
470
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
471
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
472
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
473
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
474
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
475
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
476
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
477
Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
478
Samuel William Reynolds, 1773–1835
Meditation
1827
479
John Martin, 1789–1854
Illustrations to Milton's 'Paradise Lost'
1827
480
Octavius Oakley, 1800–1867
Agnes and Emma Coke and Sarah Salmond in a Park
1827
481
George Hunt, active 1820–1840
1st of September
1827
482
Henry Harris Lines, 1801–1899
Album of 50 sketches made in the years 1827 and 1828 for H.C
1827-1828
483
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
484
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
485
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
486
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
487
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
488
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
489
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
490
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
491
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
492
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
493
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
494
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
495
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
496
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
497
George Hunt, active 1820–1840
Stage Coach
1827
498
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street