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Author ss after Joseph Mallord William Turner, 1775–1851, British

Remove constraint Author ss: after Joseph Mallord William Turner, 1775–1851, British

Period 19th century

Remove constraint Period: 19th century

Exhibition History Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)

Remove constraint Exhibition History: Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)

Search Results

1. Hind Head Hill

Hind Head Hill
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Coast of Yorkshire

Coast of Yorkshire
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 5/8 inches (28.9 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Evening Gun

The Evening Gun
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint and scraping; touched engraver's proof c on medium, slightly textured, cream laid paper
Dimensions:
Plate: 7 1/2 x 9 3/16in. (19 x 23.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Catania, Sicily

Catania, Sicily
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint, with graphite and white chalk; trial proof
Dimensions:
Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Paestum

Paestum
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint; engraver's proof (a)
Dimensions:
Sheet: 6 x 8 1/2in. (15.2 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Tenth Plague of Egypt

Tenth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Ben Arthur, Scotland

Ben Arthur, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink, First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Catania, Sicily

Catania, Sicily
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint; 1872 impression
Dimensions:
Sheet: 6 x 8 3/8in. (15.2 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Shields Lighthouse

Shields Lighthouse
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; trial proof a on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 8 1/4 inches (14.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jason

Jason
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Mt. St. Gothard

Mt. St. Gothard
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Lake of Thun, Switzerland

Lake of Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Fifth Plague of Egypt

The Fifth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Drawing of the Clyde

The Drawing of the Clyde
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Little Devil's Bridge over the Russ above Altdorft, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Deluge

The Deluge
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Stonehenge at Daybreak

Stonehenge at Daybreak
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink Modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Peat Bog, Scotland

Peat Bog, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Ancient Carthage - The Embarcation of Regulus

Ancient Carthage - The Embarcation of Regulus
Creator:
Print made by Daniel Wilson, 1816–1892
Date:
1840
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Shields, on the River Tyne

Shields, on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Deluge

The Deluge
Creator:
Print made by J. P. Quilley, active 1828
Date:
1828
Materials & Techniques:
Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A Shipwreck

A Shipwreck
Creator:
Print made by Charles Turner, 1774–1857
Date:
1806
Materials & Techniques:
Mezzotint with graphite and watercolor; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 3/4 × 35 inches (62.9 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Longships Lighthouse, Lands End

Longships Lighthouse, Lands End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, 1st published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Ullswater, Cumberland

Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Llanthony, Monmouthshire

Llanthony, Monmouthshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Lyme Regis, Norfolk

Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Fall of the Rebel Angels

The Fall of the Rebel Angels
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, first published state
Dimensions:
Plate: 8 7/16 x 5 7/8in. (21.5 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Sinai's Thunder

Sinai's Thunder
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Plate: 11 9/16 x 6in. (29.4 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Moss Dale Fall

Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 × 19 5/8 inches (33 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Entrance to Fowey Harbour, Cornwall

The Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1829
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Penmaen Mawr, Caernarvonshire

Penmaen Mawr, Caernarvonshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof (completed) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Fall of the Tees, Yorkshire

Fall of the Tees, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Stone Henge

Stone Henge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Line engraving and etching, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Etching and engraving, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 14 13/16 inches (26.8 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Llanberis Lake, Wales

Llanberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 5/8 inches (27.6 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. High Force or Fall of the Tees

High Force or Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Line engraving, printed on india paper, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 3/4 inches (30.8 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Chain Bridge over the River Tees

Chain Bridge over the River Tees
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1838
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:
Plate: 9 1/2 x 12 7/8in. (24.2 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Dudley, Worcestershire

Dudley, Worcestershire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1835
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 15 inches (27.5 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Lowestoffe, Suffolk

Lowestoffe, Suffolk
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1837
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Hardraw Fall

Hardraw Fall
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Salisbury, Wiltshire

Salisbury, Wiltshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1830
Materials & Techniques:
Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 15 1/16 inches (28.6 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Wreck of the Minotaur

No cover image available
Creator:
Print made by Thomas Oldham Barlow, 1824–1889
Date:
1856
Materials & Techniques:
Mezzotint with etching; published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Field of Waterloo

No cover image available
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1830
Materials & Techniques:
Mezzotint; second published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/8 × 34 3/8 inches (58.7 × 87.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Lake of Lucerne

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1854
Materials & Techniques:
Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Zurich

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1854
Materials & Techniques:
Etching and line engraving, India proof before letters on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 34 7/8 inches (59.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection