<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Genre literary theme

Remove constraint Genre: literary theme

Height [cm] 30

Remove constraint Height [cm]: 30

Search Results

Vanessa Bell Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
Vanessa Bell, 1879–1961
Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
ca. 1941
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
William Blake The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
William Blake The First Book of Urizen, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
William Blake The First Book of Urizen, Plate 12 (Bentley 22)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
William Blake The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
William Blake The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
William Blake The First Book of Urizen, Plate 16 (Bentley 17)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16 (Bentley 17)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 21 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
William Blake The First Book of Urizen, Plate 22 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22 (Bentley 24)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake The First Book of Urizen, Plate 24 (Bentley 26)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24 (Bentley 26)
1794
William Blake The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
William Blake The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
William Blake The First Book of Urizen, Plate 5 (Bentley 12)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5 (Bentley 12)
1794
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
William Blake The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
William Blake The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
William Blake The First Book of Urizen, Plate 14 (Bentley 14)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
Edward Goodall Land Discovered by Columbus
Print made by Edward Goodall, 1795–1870
Land Discovered by Columbus
1832-1834
unknown artist William Cavendish, first Duke of Newcastle-upon-Tyne
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
undated
Edward Goodall Keswick Lake
Print made by Edward Goodall, 1795–1870
Keswick Lake
1834
William Miller An Old Manor House
Print made by William Miller, 1796–1882
An Old Manor House
1834
Robert Wallis Tornaro
Print made by Robert Wallis, 1794–1878
Tornaro
1834
Edward Goodall A Village Fair
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
Edward Goodall A Hurricane in the Desert
Print made by Edward Goodall, 1795–1870
A Hurricane in the Desert
1834
Edward Goodall Traitor's Gate - Tower of London
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
Edward Goodall Shipbuilding (An Old Oak Dead)
Print made by Edward Goodall, 1795–1870
Shipbuilding (An Old Oak Dead)
1833
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
Edward Goodall An Old Oak
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
Edward Goodall Captivity
Print made by Edward Goodall, 1795–1870
Captivity
1834
Edward Goodall The Alps at Daybreak
Print made by Edward Goodall, 1795–1870
The Alps at Daybreak
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
William Miller Loch Lomond
Print made by William Miller, 1796–1882
Loch Lomond
1834
Edward Goodall Bolton Abbey
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
Edward Goodall Columbus Setting Sail
Print made by Edward Goodall, 1795–1870
Columbus Setting Sail
1834
Edward Goodall The Vision of Columbus
Print made by Edward Goodall, 1795–1870
The Vision of Columbus
1834
Edward Goodall Datur Hora Quieti
Print made by Edward Goodall, 1795–1870
Datur Hora Quieti
1834
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870
The Landing of Columbus
1834
William Miller An Old Manor House
Print made by William Miller, 1796–1882
An Old Manor House
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
Thomas Watson Maria
Print made by Thomas Watson, 1743–1781
Maria
1796
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
William Faithorne the Younger John Smith, Writing Master in London
William Faithorne the Younger, ca. 1669–1703
John Smith, Writing Master in London
undated
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
William Miller Skiddaw
Print made by William Miller, 1796–1882
Skiddaw
1834
William Miller Berwick on Tweed
Print made by William Miller, 1796–1882
Berwick on Tweed
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
William Miller Melrose
Print made by William Miller, 1796–1882
Melrose
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Henry Le Keux Loch Coriskin
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
Edward Goodall The Alps at Daybreak
Print made by Edward Goodall, 1795–1870
The Alps at Daybreak
1834
Edward Goodall Datur Hora Quieti
Print made by Edward Goodall, 1795–1870
Datur Hora Quieti
1834
Edward Goodall Greenwich Hospital
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870
The Landing of Columbus
1834
William Miller A Garden
Print made by William Miller, 1796–1882
A Garden
1834
Edward Fisher Edwin
Print made by Edward Fisher, 1722–1785
Edwin
1776
Robert Smirke Virgilia and Volumnia Plead with Coriolanus
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
Edward Goodall Traitor's Gate - Tower of London
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Edward Goodall Captivity
Print made by Edward Goodall, 1795–1870
Captivity
1834
Edward Goodall Cortes and Pizarro
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
William Miller A Garden
Print made by William Miller, 1796–1882
A Garden
1834
Edward Goodall Leaving Home
Print made by Edward Goodall, 1795–1870
Leaving Home
1834
Edward Goodall The Gipsy
Print made by Edward Goodall, 1795–1870
The Gipsy
1834
Edward Goodall A Village – Evening
Print made by Edward Goodall, 1795–1870
A Village – Evening
1834
Edward Goodall Greenwich Hospital
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Edward Goodall St. Anne's Hill, No. I
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
Edward Goodall St. Pierre's Cottage
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
Edward Goodall Valombre
Print made by Edward Goodall, 1795–1870
Valombre
1834