Collection: Prints and Drawings / Work Type: relief print / Classification: Prints

301. Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Jerusalem, Plate 59, "And formed into Four precious stones...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Jerusalem, Plate 6, "His Spectre driv'n...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Jerusalem, Plate 62, "Repose on me...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Jerusalem, Plate 64, "Of the Mundane Shell...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Jerusalem, Plate 65, "To decide Two Worlds...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Jerusalem, Plate 66, "In awful pomp & gold...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Jerusalem, Plate 67, "By those who drink their blood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Jerusalem, Plate 69, "Then all the Males...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Jerusalem, Plate 7, "Was living: panting...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Jerusalem, Plate 71, "And above Albions Land...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Jerusalem, Plate 72, "And the Thirty-two Counties...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Jerusalem, Plate 76

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Jerusalem, Plate 77, "To the Christians...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Jerusalem, Plate 78, "The Spectres of..."

Creator:: William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Jerusalem, Plate 79, "My tents are fall'n...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Jerusalem, Plate 8, "Rose up against me...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Jerusalem, Plate 80, "Encompassd by the frozen net...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Jerusalem, Plate 81, "I have mockd those...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Jerusalem, Plate 86, "I see thy Form...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Jerusalem, Plate 87, "Repelling weeping Enion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Jerusalem, Plate 88, "Los answerd sighing...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Jerusalem, Plate 89, "Tho divided by the Cross...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Jerusalem, Plate 9, "Condens'd his Emanations...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Jerusalem, Plate 90, "The Feminine separates...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Jerusalem, Plate 92, "What do I see!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Jerusalem, Plate 93, "Enitharmon heard...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Jerusalem, Plate 98, "Then each an Arrow flaming...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Jerusalem, Plate 99, "All Human Forms identified...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Jesus Driving the Moneychangers from the Temple (Latin)

Creator:: Eric Gill, 1882–1940
Date:: 1919
Materials & Techniques:: Wood-engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 1/4 x 4 3/16 inches (15.8 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

348. July - Society Masquerading

Creator:: Print made by Adelaide Claxton, 1858–1905
Date:: undated
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 6 3/4 x 3 1/4in. (17.1 x 8.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

349. June - Society at the Drawing Room

Creator:: Print made by Adelaide Claxton, 1858–1905
Date:: undated
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 6 1/2 x 9 1/2in. (16.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

350. J’irai à la montagne

Creator:: Print made by Eric Gill, 1882–1940
Date:: printed 1982
Materials & Techniques:: Wood engraving with letterpress on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 × 5 inches (21.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Caroline Fearey Schimmel

351. King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

Creator:: Upper print made by unknown artist
Date:: 1862
Materials & Techniques:: Wood-engraving and letterpress with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

352. Kingswalden Bury

Creator:: Quinlan Terry, born 1937
Date:: 1972
Materials & Techniques:: Linocut on board
Dimensions:: Sheet: 20 1/4 × 55 5/8 inches (51.4 × 141.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

353. La diavolessa bianca!

Creator:: Print made by Edward Anthony Carrick, 1905–1998
Date:: undated
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 11 x 8 inches (27.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

354. Lambing Time

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 13/16 inches (12.8 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Lambing Time (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 x 5 1/4 inches (11.2 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Landing

Creator:: Print made by Clare Leighton, 1898–1989
Date:: 1931
Materials & Techniques:: Wood-engraving on thin, smooth, beige wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Association in Fine Arts

357. Landscape with Walls

Creator:: John Frederic Greenwood, 1885–1954
Date:: ca. 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 6 15/16 x 8 inches (17.6 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

358. Langle sur L'Anglin

Creator:: Print made by Roger Fry, 1866–1934
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 5 inches (21.6 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

359. Limbing

Creator:: Print made by Clare Leighton, 1898–1989
Date:: 1931
Materials & Techniques:: Wood-engraving on thin, smooth, beige wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/8 inches (26.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Association in Fine Arts

360. List of Plates in Part XII of Scotland Delineated

Creator:: Print made by unknown artist
Date:: 1851 to 1852
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. List of Plates in Part XII of Scotland Delineated

Creator:: Print made by unknown artist
Date:: 1851 to 1852
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Little Red Riding Hood

Creator:: Print made by imitator of George Baxter, 1804–1867
Date:: after 1856
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Madonna in Glory with Six Saints

Creator:: Print made by John Baptist Jackson, 1701–1780
Materials & Techniques:: Chiaroscuro woodcut
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

364. Magnae Britanniae et Hiberniae Tabula

Creator:: Print made by Willem Janszoon Blaeu, 1571–1638
Date:: 1634
Materials & Techniques:: Line engraving; verso: Letterpress on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 23 1/4 inches (50.5 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Helen Chillman

365. Matlock

Creator:: Print made by J. Widnell, Active 1795
Date:: 1795
Materials & Techniques:: Etching and line engraving, with letterpress on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 11 3/8 inches (43.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Memorial Sheet for Peter Paul Pugin

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: 1904
Materials & Techniques:: Black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Midget

Creator:: Sir Peter Blake, born 1932
Date:: between 1974 and 1978
Materials & Techniques:: Wood engraving on beige Japanese Tonosawa handmade paper
Dimensions:: Sheet: 10 1/4 × 8 1/4 inches (26 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

368. Mirror: Dont Look Back 3

Creator:: Print made by Hurvin Anderson, born 1965
Date:: 2015
Materials & Techniques:: Intaglio and relief printed collograph, and silver leaf on Somerset Satin 300gsm white wove paper
Dimensions:: Sheet: 35 7/8 × 28 1/2 inches (91.1 × 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kera and Bennie F. Johnson, Yale BA 1995

369. Modern Toilet. Camber's Letter to John Bull

Creator:: Print made by unknown artist
Date:: 1781
Materials & Techniques:: Mezzotint and letterpress on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 9 5/8 inches (33.3 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

370. Monotype A

Creator:: Ian McKeever, born 1946
Date:: 1996
Materials & Techniques:: Monotype with ball-point pen on moderately thick, slightly textured, white wove paper
Dimensions:: Frame: 9 3/4 x 8 1/4 inches (24.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous gift

371. Monotype B

Creator:: Ian McKeever, born 1946
Date:: 1996
Materials & Techniques:: Monotype with ball-point pen on moderately thick, slightly textured, white wove paper
Dimensions:: Frame: 9 3/4 x 8 1/4 inches (24.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous gift

372. Monotype C

Creator:: Ian McKeever, born 1946
Date:: 1996
Materials & Techniques:: Monotype with ball-point pen on moderately thick, slightly textured, white wove paper
Dimensions:: Frame: 9 3/4 x 8 1/4 inches (24.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous gift

373. Mosque of Al-Hassan, Rabat, Morocco

Creator:: Langlands & Bell, since 1978
Date:: 1996
Materials & Techniques:: Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:: Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

374. Mosque of the Prophet, Medina, Saudi Arabia

Creator:: Langlands & Bell, since 1978
Date:: 1996
Materials & Techniques:: Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:: Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

375. Mowers

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1920
Materials & Techniques:: Wood engraving on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

376. Natives of Bruni

Creator:: Print made by Robert Branston, ca. 1803–1877
Date:: 1848
Materials & Techniques:: Wood-engraving and letterpress
Dimensions:: Sheet: 7 1/8 x 10 3/8in. (18.1 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Newstead Abbey

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. North of Rouen, South of the Somme: A Crossroads in France

Creator:: Hughie O'Donoghue, born 1953
Date:: 1997
Materials & Techniques:: Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:: Sheet: 19 1/2 x 23 1/2in. (49.5 x 59.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

379. Nude Figure Carrying Jars

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Chiaroscuro woodcut and etching
Dimensions:: Sheet: 19 x 7 3/4in. (48.3 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. O Cromwell

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving on thin, slightly textured, cream laid paper mounted to moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

381. October - Society in the Field

Creator:: Print made by Adelaide Claxton, 1858–1905
Date:: undated
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 6 3/8 x 9 1/8in. (16.2 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

382. On the Slip (Gutting Herrings)

Creator:: Robert John Gibbings, 1889–1958
Date:: 1923
Materials & Techniques:: Woodcut on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 7/16 x 8 1/16 inches (26.5 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Bequest of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967

383. Ordnance Survey

Creator:: Print made by Simon Brett, born 1943
Date:: 1995
Materials & Techniques:: Wood-engraving on moderately thick, slightly textured, white wove paper
Dimensions:: Frame: 21 1/2 × 21 7/8 × 1 1/2 inches (54.6 × 55.6 × 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Christine Higgott and Peter Ford

384. Oriental Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Original Wrapper for : NO / OF/ LIBER STUDIORUM: ILLUSTRATIVE OF/ LANDSCAPE COMPSITIONS,/VIZ.../ by J.M.W. Turner, R.A.

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Osborne House

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Piece for Seven Woodblocks (for Steve Reich)

Creator:: Print made by Peter Ford, born 1937
Date:: 1991
Materials & Techniques:: Color-printed woodcut on thin, slightly textured, cream Asian wove paper
Dimensions:: Frame: 18 × 40 3/4 × 1 inches (45.7 × 103.5 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Ralph Kinnard Williams, Yale Mus.M., 1968

388. Plate 1

Creator:: Ian McKeever, born 1946
Date:: 1993
Materials & Techniques:: Woodcut; second impression on 300gsm BFK Rives white wove paper
Dimensions:: Sheet: 35 × 27 inches (88.9 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Charles Booth-Clibborn

389. Plate 10

Creator:: Ian McKeever, born 1946
Date:: 1993
Materials & Techniques:: Woodcut on 300gsm BFK Rives white wove paper
Dimensions:: Sheet: 27 × 35 inches (68.6 × 88.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Charles Booth-Clibborn

390. Platts Spinning Machine

Creator:: Print made by Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 6 x 9in. (15.2 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

391. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Ports of England, Title Page and Wrapper

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 × 7 1/2 inches (26.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper mounted on contemporary cream card with unevenly painted gold border
Dimensions:: Mount: 10 1/16 x 8 1/16 inches (25.5 x 20.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Principal Gate of the Palace of the Emperors, Delhi

Creator:: Print made by Charles Barbant, died 1922
Date:: 1876
Materials & Techniques:: Wood-engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 inches (22.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

396. Qal'a of the Banu Hammad, Algeria

Creator:: Langlands & Bell, since 1978
Date:: 1996
Materials & Techniques:: Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:: Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

397. Quadra 1

Creator:: Print made by Rebecca Salter, born 1955
Date:: 2010
Materials & Techniques:: Woodblock on Torinoko paper
Dimensions:: Sheet: 12 x 12 inches (30.5 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Rebecca Salter

398. Quadra 2

Creator:: Print made by Rebecca Salter, born 1955
Date:: 2010
Materials & Techniques:: Woodblock on Torinoko paper
Dimensions:: Sheet: 12 x 12 inches (30.5 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Rebecca Salter

399. Quadra 3

Creator:: Print made by Rebecca Salter, born 1955
Date:: 2010
Materials & Techniques:: Woodblock on Torinoko paper
Dimensions:: Sheet: 12 x 12 inches (30.5 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Rebecca Salter

400. Quadra 4

Creator:: Print made by Rebecca Salter, born 1955
Date:: 2010
Materials & Techniques:: Woodblock on Torinoko paper
Dimensions:: Sheet: 12 x 12 inches (30.5 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Rebecca Salter

YCBA Collections Search

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301. Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

302. Jerusalem, Plate 59, "And formed into Four precious stones...."

303. Jerusalem, Plate 6, "His Spectre driv'n...."

304. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

305. Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

306. Jerusalem, Plate 62, "Repose on me...."

307. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

308. Jerusalem, Plate 64, "Of the Mundane Shell...."

309. Jerusalem, Plate 65, "To decide Two Worlds...."

310. Jerusalem, Plate 66, "In awful pomp & gold...."

311. Jerusalem, Plate 67, "By those who drink their blood...."

312. Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

313. Jerusalem, Plate 69, "Then all the Males...."

314. Jerusalem, Plate 7, "Was living: panting...."

315. Jerusalem, Plate 70, "And this the form of mighty Hand...."

316. Jerusalem, Plate 71, "And above Albions Land...."

317. Jerusalem, Plate 72, "And the Thirty-two Counties...."

318. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

319. Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

320. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

321. Jerusalem, Plate 76

322. Jerusalem, Plate 77, "To the Christians...."

323. Jerusalem, Plate 78, "The Spectres of..."

324. Jerusalem, Plate 79, "My tents are fall'n...."

325. Jerusalem, Plate 8, "Rose up against me...."

326. Jerusalem, Plate 80, "Encompassd by the frozen net...."

327. Jerusalem, Plate 81, "I have mockd those...."

328. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

329. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

330. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

331. Jerusalem, Plate 85, "Became a Space & an Allegory...."

332. Jerusalem, Plate 86, "I see thy Form...."

333. Jerusalem, Plate 87, "Repelling weeping Enion...."

334. Jerusalem, Plate 88, "Los answerd sighing...."

335. Jerusalem, Plate 89, "Tho divided by the Cross...."

336. Jerusalem, Plate 9, "Condens'd his Emanations...."

337. Jerusalem, Plate 90, "The Feminine separates...."

338. Jerusalem, Plate 91, "It is easier to forgive an enemy...."

339. Jerusalem, Plate 92, "What do I see!...."

340. Jerusalem, Plate 93, "Enitharmon heard...."

341. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

342. Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

343. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

344. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

345. Jerusalem, Plate 98, "Then each an Arrow flaming...."

346. Jerusalem, Plate 99, "All Human Forms identified...."

347. Jesus Driving the Moneychangers from the Temple (Latin)

348. July - Society Masquerading

349. June - Society at the Drawing Room

350. J’irai à la montagne

351. King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

352. Kingswalden Bury

353. La diavolessa bianca!

354. Lambing Time

355. Lambing Time (tail piece)

356. Landing

357. Landscape with Walls

358. Langle sur L'Anglin

359. Limbing

360. List of Plates in Part XII of Scotland Delineated

361. List of Plates in Part XII of Scotland Delineated

362. Little Red Riding Hood

363. Madonna in Glory with Six Saints

364. Magnae Britanniae et Hiberniae Tabula

365. Matlock

366. Memorial Sheet for Peter Paul Pugin

367. Midget

368. Mirror: Dont Look Back 3

369. Modern Toilet. Camber's Letter to John Bull

370. Monotype A

371. Monotype B

372. Monotype C

373. Mosque of Al-Hassan, Rabat, Morocco