Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 32 / Classification: Prints

William Hogarth, 1697–1764

A Rake's Progress, Plate I: He Takes Possession

1735

William Hogarth, 1697–1764

The Cockpit

1759

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851

Juvenile Tricks

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Flounder Fishing, Battersea

between 1813 and 1823

Print made by William Blake, 1757–1827

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Chambers

1782

Print made by Francesco Bartolozzi, 1728–1815

Miss Anna Crouch

1788

Print made by Marino Bovi, Italian, 1758–ca.1805

Lady Sinclair

1791

Print made by Francesco Bartolozzi, 1728–1815

Lord FitzGibbon

1790

Print made by Francesco Bartolozzi, 1728–1815

Alvise Pisani

1793

James Gillray The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe.

James Gillray, 1756–1815

The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe

1792

James Gillray, 1756–1815

Independence

1799

James Gillray, 1756–1815

Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe

1796

James Gillray, 1756–1815

Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square

1796

Anthony Walker, 1726–1765

A View of the New Bridge Over the Thames at Walton in Surrey

1750

James Gillray, 1756–1815

A Man of Importance

1799

James Gillray Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,

James Gillray, 1756–1815

Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,

1799

Print made by unknown artist

The Pursuit of the French after the Victory at Ramellies

undated

Thomas Bowles, ca. 1712–died 1753

The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens

unknown artist

The Inside View of King Henry VII Chappel, in Westminster Abby

unknown artist

The Inside of St. Paul's Cathedral from the West End to the Choir

unknown artist

A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner

unknown artist

The Battle of Minden in Westphalia..

Thomas Bowles A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

Thomas Bowles, ca. 1712–died 1753

A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

Nathaniel Parr, active 1742–1751

The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

Print made by unknown artist

The Battle of Lowoschutz in Bohemia;..

Pierre Charles Canot, ca. 1710–1777

Evening, or Sun setting

Print made by unknown artist

The Battle of Taniers, Part Second

undated

George Bickham the Elder, 1683/4–1758

A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire

Paul Fourdrinier Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

Paul Fourdrinier, 1698–1758

Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

unknown artist

A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road

unknown artist

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

unknown artist

A View of the Bridge over the Thames at Walton in Surry, distance 20 miles from London

Remi Parr, active 1723–1750

The Assault on the Main Body of the Palace;..

unknown artist

The Royal Palace of Windsor

unknown artist

Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

unknown artist

A Prospect of the Library of Trinity College, Dublin

undated

Remi Parr, active 1723–1750

The Place given up to Plunder;..

unknown artist

The Battle of Culloden, near Inverness in Scotland..

Remi Parr, active 1723–1750

The Attack of Two Bastions, the Breaches being Made by the Miner

1760 to 1770

unknown artist

A View of Her Imperial Majesty's Ancient Winter Palace, & of the Canal which joyns the Moika to the Neva at St. Petersburg

unknown artist

A View of Rotterdam, and the River Maese with Variety of Shipping

between 1780 and 1815

unknown artist

The City of Ratisbon

unknown artist

A View of the Palace of Triano towards the Flower Garden

between 1780 and 1815

unknown artist

A View of the City of Oporto

between 1780 and 1815

unknown artist

The Entrance into the Temple of the Sun in Palmira from the East

between 1780 and 1815

unknown artist

The Foundling Hospital

unknown artist

Belshazzar's Feast, With a Translation for The Country Gentleman

1798

James Cole, fl.1720–1743

The Royal George, a first Rate Man of War carrying 100 Guns and 780 Men

Isaac Cruikshank, 1764–1811

Two of a Trade Can Never Agree

1798

Isaac Cruikshank, 1764–1811

Lord Mum Sucking His Thumb

1796

Print made by unknown artist

The Battle of Blenheim MDCCIV, Part the Second

undated

unknown artist

A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

unknown artist

A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

unknown artist

A View of the Back Front of the House, & part of the Garden of the Earl of Burlington at Chiswick; with a distant View of the Orangery, Greenhouse, Inigo Jones's Gate, & c

unknown artist

A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford

J. Couse, active 1750

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..

between 1780 and 1815

unknown artist

A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences

Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Remi Parr, active 1723–1750

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

between 1780 and 1815

Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Nathaniel Parr, active 1742–1751

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

between 1780-1815

unknown artist

The Remains of the Great Temple in Palmira seen from the West. ..

between 1780 and 1815

Print made by unknown artist

The City of Breslau

unknown artist

A Squadron of Ships Sailing before the Wind

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

unknown artist

A Squadron of Ships in a calm where of one, A. presents the Stern, another B. the Head

unknown artist

The Battle of Prague in Bohemia;..

unknown artist

A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford

Print made by unknown artist

The Battle of Ramillies MDCCVI

undated

unknown artist

A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford

unknown artist

A Prospect of the Parliament House, in College Green, Dublin

Remi Parr, active 1723–1750

An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis..

Remi Parr, active 1723–1750

How Sallies are defended and repulsed;..

unknown artist

A General View of the City of Dantzick

Thomas Bowles A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

Thomas Bowles, ca. 1712–died 1753

A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol

undated

Remi Parr, active 1723–1750

A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side..

undated

Samuel William Reynolds, 1773–1835

[Shooting]: Setters

1799

J. Miller, active 1769–1825

Racing: "Atlas" the Property of his Grace th Duke of Devonshire

1761

unknown artist

The Royal Palace of St. James's next the Park

unknown artist

The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir

unknown artist

A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace