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Isaac Cruikshank Symptoms of Affection, Or - A Specimen of Martial Prowess
Isaac Cruikshank, 1764–1811
Symptoms of Affection, Or - A Specimen of Martial Prowess
1791
James Wyatt Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story
1791
James Wyatt Five Designs for a House in the Gothic Style: Elevation
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Elevation
1791
John Jones Mrs. Jordan in the Character of Hypolita
John Jones, ca. 1745–1797
Mrs. Jordan in the Character of Hypolita
1791
George Keating The Deserter, 29 July 1791
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
unknown artist Sion Lodge
unknown artist
Sion Lodge
1791
Capt. Francis Grose Pershore Abbey, Worcestershire
Capt. Francis Grose, 1731–1791
Pershore Abbey, Worcestershire
1791
Isaac Cruikshank The Pleasure of Being Kick'd Out of Company
Isaac Cruikshank, 1764–1811
The Pleasure of Being Kick'd Out of Company
1791
Isaac Cruikshank Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes
Print made by Isaac Cruikshank, 1764–1811
Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes
1791
Isaac Cruikshank The Fruition of Nantes or the Vision Interpreted
Isaac Cruikshank, 1764–1811
The Fruition of Nantes or the Vision Interpreted
1791
James Gillray Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
Isaac Cruikshank The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho
Isaac Cruikshank, 1764–1811
The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho
1791
Isaac Cruikshank Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
Isaac Cruikshank, 1764–1811
Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
1791
Isaac Cruikshank Bachelor's Hall
Isaac Cruikshank, 1764–1811
Bachelor's Hall
1791
unknown artist Malbrouke
Print made by unknown artist
Malbrouke
1791
Isaac Cruikshank Getting the Length of the Duchess's Foot
Isaac Cruikshank, 1764–1811
Getting the Length of the Duchess's Foot
1791
Isaac Cruikshank The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
Isaac Cruikshank, 1764–1811
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
1791
Isaac Cruikshank The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)
Isaac Cruikshank, 1764–1811
The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)
1791
James Gillray Patience on a Monument
James Gillray, 1756–1815
Patience on a Monument
1791
James Gillray A Witch, Upon a Mount's Edge - Vide: Fuzelli
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
James Gillray A Natural Crop; - Alias - A Norfolk Dumpling
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
James Gillray A Uniform Whig ---
James Gillray, 1756–1815
A Uniform Whig ---
1791
James Gillray The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-.
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
Marino Bovi Lady Sinclair
Print made by Marino Bovi, Italian, 1758–ca.1805
Lady Sinclair
1791
Francesco Bartolozzi Miss Gunning
Print made by Francesco Bartolozzi, 1728–1815
Miss Gunning
ca. 1796
John Raphael Smith African Hospitality
Print made by John Raphael Smith, 1752–1812
African Hospitality
1791
William Dent The Birmingham Priest - and Flaming Patriots inflamed at Birmingham, or An apology for not being at the (Crown) and Anchor.
Print made by William Dent, active 1784–1793
The Birmingham Priest - and Flaming Patriots inflamed at Birmingham, or An apology for not being at the (Crown) and Anchor
1791
unknown artist An Amusing State of Uncertainty - Peace or War
unknown artist
An Amusing State of Uncertainty - Peace or War
1791
James Gillray A Modern Cherub, - Vide Peters
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
unknown artist Absolution
unknown artist
Absolution
1791
Richard Newton A Visit to the R---l Cole Pit
Richard Newton, 1777–1798
A Visit to the R---l Cole Pit
1791
unknown artist The Political Warrior Mowing Down the Russian Trade
unknown artist
The Political Warrior Mowing Down the Russian Trade
1791
unknown artist The Political Weeping Willow
unknown artist
The Political Weeping Willow
1791
Rev. William Warren Porter English Landscape
Rev. William Warren Porter, 1776–1804
English Landscape
undated
Thomas Girtin Warkworth Castle, Northumberland
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1796
Thomas Girtin Distant View of Jedburgh
Thomas Girtin, 1775–1802
Distant View of Jedburgh
ca. 1796
Thomas Girtin Dustanborough Castle from a Distance
Thomas Girtin, 1775–1802
Dustanborough Castle from a Distance
ca. 1796
Thomas Girtin Thetford, Norfolk
Thomas Girtin, 1775–1802
Thetford, Norfolk
ca. 1796
unknown artist Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
unknown artist
Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
1791
John William Edy A View of Albion Mill on Fire
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
unknown artist London Stone in Cannon Street
unknown artist
London Stone in Cannon Street
1791
unknown artist A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.
unknown artist
A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
1791
Francesco Bartolozzi Vignette: Four Putti, Two Holding Hands
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
Francesco Bartolozzi Vignette: Four Putti, Two Holding Hands
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
Bastiaen Stopendael Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
Francesco Bartolozzi St. Paul
Francesco Bartolozzi, 1728–1815
St. Paul
1791
Francesco Bartolozzi Contemplation
Francesco Bartolozzi, 1728–1815
Contemplation
1791
Francesco Bartolozzi Hebe
Francesco Bartolozzi, 1728–1815
Hebe
1791
Joseph Grozer William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
Joseph Grozer, ca. 1755–1798
William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
1791
Francesco Bartolozzi The Departure of Hagar
Francesco Bartolozzi, 1728–1815
The Departure of Hagar
1791
Peter Simon Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
James Gillray Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
James Gillray The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
James Gillray The Introduction
James Gillray, 1756–1815
The Introduction
1791
James Gillray The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes.
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
James Gillray The Finishing Touch
James Gillray, 1756–1815
The Finishing Touch
1791
James Gillray An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
Robert Strange Sir Robert Strange
Robert Strange, 1721–1792
Sir Robert Strange
1791
John Carter Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
unknown artist Collection of Prints by Notable Dilettanti
Print made by unknown artist
Collection of Prints by Notable Dilettanti
1791
Thomas Rowlandson Limbourg, Belgium
Thomas Rowlandson, 1756–1827
Limbourg, Belgium
between 1791 and 1792
Henry Fuseli Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
Henry Fuseli, 1741–1825
Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
1791
William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
James Gillray French Democrats surprizing the Royal Runaways
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
James Gillray Patience on a Monument
James Gillray, 1756–1815
Patience on a Monument
1791
Thomas Rowlandson View of the Market Place at Juliers in Westphalia
Thomas Rowlandson, 1756–1827
View of the Market Place at Juliers in Westphalia
1791
Rev. William Warren Porter Magdalen Bridge, Near Oxford
Rev. William Warren Porter, 1776–1804
Magdalen Bridge, Near Oxford
undated
Rev. William Warren Porter Alcides
Rev. William Warren Porter, 1776–1804
Alcides
undated
Rev. William Warren Porter Castle of Udolpho
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
Rev. William Warren Porter Warwick Castle
Rev. William Warren Porter, 1776–1804
Warwick Castle
undated
Rev. William Warren Porter Blenheim
Rev. William Warren Porter, 1776–1804
Blenheim
undated
Rev. William Warren Porter Scene from 'The Mysteries of Udolpho'
Rev. William Warren Porter, 1776–1804
Scene from 'The Mysteries of Udolpho'
undated
Rev. William Warren Porter Landscape Study of Cattle in a Pool with a Cottage on a Hill
Rev. William Warren Porter, 1776–1804
Landscape Study of Cattle in a Pool with a Cottage on a Hill
undated
Rev. William Warren Porter Landscape Study of a River Valley with Cattle in the Foreground
Rev. William Warren Porter, 1776–1804
Landscape Study of a River Valley with Cattle in the Foreground
undated
Rev. William Warren Porter Landscape Study with Sheep, Oxford in the Distance
Rev. William Warren Porter, 1776–1804
Landscape Study with Sheep, Oxford in the Distance
undated
Rev. William Warren Porter Well Vale, Lincolnshire
Rev. William Warren Porter, 1776–1804
Well Vale, Lincolnshire
undated
Rev. William Warren Porter Lee's Cottage, Countess Wear
Rev. William Warren Porter, 1776–1804
Lee's Cottage, Countess Wear
undated
Rev. William Warren Porter Oxford
Rev. William Warren Porter, 1776–1804
Oxford
undated
Rev. William Warren Porter Oxford
Rev. William Warren Porter, 1776–1804
Oxford
undated
Rev. William Warren Porter Goodrich Castle
Rev. William Warren Porter, 1776–1804
Goodrich Castle
undated
Rev. William Warren Porter Study of a Cottage and a Man Rolling the Lawn
Rev. William Warren Porter, 1776–1804
Study of a Cottage and a Man Rolling the Lawn
undated
Rev. William Warren Porter Christ Church Cathedral, Oxford
Rev. William Warren Porter, 1776–1804
Christ Church Cathedral, Oxford
undated
Rev. William Warren Porter Christ Church College, Oxford
Rev. William Warren Porter, 1776–1804
Christ Church College, Oxford
undated
Rev. William Warren Porter Magdalen College, Oxford
Rev. William Warren Porter, 1776–1804
Magdalen College, Oxford
undated
Rev. William Warren Porter Penvensay Castle
Rev. William Warren Porter, 1776–1804
Penvensay Castle
undated
Rev. William Warren Porter Saint John's, Oxford
Rev. William Warren Porter, 1776–1804
Saint John's, Oxford
undated
Rev. William Warren Porter Pangbourne, Berkshire
Rev. William Warren Porter, 1776–1804
Pangbourne, Berkshire
undated
Rev. William Warren Porter On the Wye
Rev. William Warren Porter, 1776–1804
On the Wye
undated
William Hincks Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
unknown artist Near Chiavenna
unknown artist
Near Chiavenna
ca. 1796
Monro School Buildings Overlooking Water, near Naples
Monro School
Buildings Overlooking Water, near Naples
ca. 1796
unknown artist In the Via Mala, Between Coire and Splugen
unknown artist
In the Via Mala, Between Coire and Splugen
ca. 1796
James Gillray Les Trois Magots
James Gillray, 1756–1815
Les Trois Magots
1791
James Gillray The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
James Gillray Lubber's Hole - alias - The Crack'd Jordan
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
James Gillray The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
James Gillray The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
James Gillray The Siege of Blenheim - or - The New System of Gunning Discoverd -
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791