On the Banks of the Marne below the Bridge at Charenton
1803
103
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
104
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front; and Project for a monument to Charles James Fox
c.1803
105
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
106
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
107
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
108
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
109
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
110
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
111
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
112
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
113
Thomas Ryder, 1746–1810
Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc
1803
114
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
115
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
116
Thomas Kirk, 1765–1797
Titus Andromicus, Act IV, Scene I, Titus' House
1803
117
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
118
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
119
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
120
Benjamin West, 1738–1820
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
121
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
122
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
123
Robert Thew, 1758–1802
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
124
William S. Leney, 1769–1831
Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"
1803
125
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
126
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
127
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
128
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
129
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
130
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
131
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
132
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
133
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
134
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
135
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
136
unknown artist
Pamela pointing an error in a direction, Vide, vol. 6, letter 30, page 200
1803
137
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
138
Samuel Noble, 1779–1853
Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108
1803
139
Print made by Thomas Medland, 1755–1823
Light House at Havre
1803
140
Isaac Taylor, 1759–1829
Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc
1803
141
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
142
Print made by Thomas Trotter, ca. 1750–1803
MacBeth, Act I, Scene III: "A Heath"
1803
143
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
144
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
145
Robert Thew, 1758–1802
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
146
James Parker, 1750–1805
MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"
1803
147
unknown artist
View of the Freemason's School, with the Adjacent Buildings from the Asylum, to the Toll Gate, near the Royal Circus
1803
148
Print made by William T. Annis, active 1798–1811
At Market
1803
149
Thomas Ryder, 1746–1810
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
1803
150
Robert Thew, 1758–1802
Hamlet, Prince of Denmark: Act I, Scene iv, Platform before the Palace of Elsineur--Hamlet, Horatio, Marcellus and the Ghost
1803
151
William Ward, 1766–1826
A Vegetable Market
1803
152
Print made by William T. Annis, active 1798–1811
Returned from Market
1803
153
James Neagle, 1760–1822
William Shakspeare
1803
154
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
155
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
156
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
157
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
158
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
159
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
160
Print made by unknown artist
Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
1803
161
Print made by Thomas Medland, 1755–1823
Rouen, from Mount St. Catherine
1803
162
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
163
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front
c.1803
164
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
165
Richard Earlom, 1743–1822
Shakespeare, King Lear, Act I, Scene I
1803
166
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
167
Print made by William Blake, 1757–1827
William Cowper
1803-1804
168
William Blake, 1757–1827
The Triumphs of Temper
1803
169
William Blake, 1757–1827
The Triumphs of Temper
1803
170
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
171
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
172
William Blake, 1757–1827
The Triumphs of Temper
1803
173
William Blake, 1757–1827
The Triumphs of Temper
1803
174
William Blake, 1757–1827
The Triumphs of Temper
1803
175
William Blake, 1757–1827
The Triumphs of Temper
1803
176
William Blake, 1757–1827
The Triumphs of Temper
1803
177
Print made by Charles Wilkin, 1750–1814
Her Grace The Duchess of Rutland
1803
178
David Deuchar, 1743–1808
A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Accompanied with Sundry Miscellaneous Pieces and Original Designs
1803
179
after Thomas Ryder, 1746–1810
Midsummer Night's Dream: Act IV, Scene I
1803
180
Thomas Ryder, 1746–1810
Love's Labour Lost. Act IV Scene I . 'Then Forester, my friend.'
1803
181
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
182
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney