Date: 1808 / Classification: Prints - YCBA Collections Search Search Results

201. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

Creator:: Print made by Thomas Hall, active early 19th century
Date:: 1808
Materials & Techniques:: Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Royal Cockpit

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint with engraved lines, hand-colored
Dimensions:: Sheet: 8 15/16 x 10 7/8in. (22.7 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Melville and Naomi Stone

204. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. The Grave, A Poem, by Robert Blair

Creator:: Prints made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching and letterpress bound in full calf with marbled endpapers on moderately thick, slightly textured, laid paper and wove paper
Dimensions:: Binding: 16 1/8 inches (41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. [Violante, ridden by Buckle]. Ms. inscription 'A Bay Mare got by John Bull, her dam own sister by Skyscraper by Highflyer..'

Creator:: William Ward, 1766–1826
Date:: 1808
Materials & Techniques:: Mezzotint, proof before all letters, touched with graphite
Dimensions:: Sheet: 13 3/4 x 17 15/16in. (34.9 x 45.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Holy Island Cathedral

Creator:: Published by Sir Frank Short, 1857–1945
Date:: 1808
Materials & Techniques:: Engraving (electrotype proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Red Grouse

Creator:: William Nichols, fl.1806–1810
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/4 x 20 1/8in. (37.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. The Palace of Whitehall as it appeared about the Reign of James II

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Veue et Perspective du Palais du Roi d'Angleterre a Londres que s'apelle Whitehall

Creator:: Richard Sawyer, active 1820–1830
Date:: 1808
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Delicious Weather

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Delicious Dreams! Castles in the Air! Glorious Prospects!

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. The Apotheosis of the Corsican Phoenix

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 13 1/8 inches (37.1 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. The Grave, A Poem, by Robert Blair

Creator:: Prints made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching and letterpress, bound in contemporary publisher's paper-covered boards, rebacked on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. The Grave, A Poem, by Robert Blair

Creator:: Prints made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: 13 Etchings bound in green cloth portfolio on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 14 inches (51.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Miss Kitty Stephens

Creator:: Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:: ca. 1813
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 14 9/16 inches (48.5 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

251. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper with chine-collé
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The Right Honourable Robert Banks Jenkinson, 2nd Earl of Liverpool

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1808
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 11 1/2 inches (39.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Whitehall Gate, Said to be designed by Hans Holbein

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Wood-Cock Shooting

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/4 x 20 1/8in. (37.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Design for the Gardens in the Regent's Park Belonging to the Zoological Society

Creator:: Thomas Dighton, ca. 1793–1873
Date:: undated
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 3/4 x 18 13/16 inches (37.4 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Nicholas Berghem

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1808
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

263. Boney and his Horse Talley - Returning to Paris with a Spanish Cargo

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 7/8 × 14 1/2 inches (27.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

264. Nap and his Partner Joe

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slight textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 1/2 inches (23.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

265. Explanation of a magnificent view of Grand Cairo : painted upon 10,000 square feet of canvas, by H.A. Barker, from drawings taken by Mr. Salt, for Lord Valentia, from a tower in the Old Citadel, now exhibiting in the great rotunda of the Panorama, Leicester Square : the upper circle contains in interesting view of Flushing.

Explanation of a magnificent view of Grand Cairo : painted upon 10,000 square feet of canvas, by H.A. Barker, from drawings taken by Mr. Salt, for Lord Valentia, from a tower in the Old Citadel, now exhibiting in the great rotunda of the Panorama, Leicester Square : the upper circle contains in interesting view of Flushing.

Creator:: Barker, Henry Aston, 1774–1856
Date:: [1808 or 1809]
Physical Description:: 1 print : woodcut and letterpress ; sheet 28 x 28 cm
Collection:: Rare Books and Manuscripts

266. A series of portraits drawn by George Dance, Esq., and engraved by Wm. Daniell.

Creator:: Dance, George, 1741–1825
Date:: [ca. 1808-1814?]
Physical Description:: [157] prints : soft-ground etching ; 48 cm.
Collection:: Rare Books and Manuscripts

267. Thomas Gillbank, basket maker and turner : 50 Grays Inn Lane.

Creator:: Gillbank, Thomas
Date:: [approximately 1808]
Physical Description:: 1 trade card ; 80 x 100 mm
Collection:: Rare Books and Manuscripts

268. Panorama, Leicester Square : now exhibiting in the lower circle, the splendid view of Paris taken by Mr. H.A. Barker in 1802 : the approbation this view has met with, both for accuracy and grandeur, has induced him to re-open it for a few months previous to exhibiting a view of Grand Cairo, taken by Mr. Salt, who travelled with Lord Valentia, and is now painting by Mr. H.A. Barker.

Creator:: Barker, Henry Aston, 1774–1856
Date:: 1808
Physical Description:: 1 print : woodcut and letterpress ; sheet 39 x 32 cm
Collection:: Rare Books and Manuscripts

YCBA Collections Search

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Date 1808

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201. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

202. North East View of Henry VII Chapel Westminster

203. Royal Cockpit

204. The Death of the Good Old Man

205. The Soul Hovering over the Body reluctantly Parting with Life

206. The Meeting of a Family in Heaven

207. The Day of Judgment

208. William Blake, Frontispiece

209. The Counsellor, King, Warrior, Mother & Child, in the Tomb

210. Death of the Strong Wicked Man

211. The Descent of Man into the Vale of Death

212. The Soul Exploring the Recesses of the Grave

213. Robert Blair, The Grave, Title Page

214. Death of the Strong Wicked Man

215. The Death of the Good Old Man

216. The Counsellor, King, Warrior, Mother & Child, in the Tomb

217. The Meeting of a Family in Heaven

218. The Day of Judgment

219. Christ Descending into the Grave

220. The Descent of Man into the Vale of Death

221. Death of the Strong Wicked Man

222. The Reunion of the Soul & the Body

223. William Blake, Frontispiece

224. Christ Descending into the Grave

225. The Soul Exploring the Recesses of the Grave

226. Robert Blair, The Grave, Title Page

227. Death's Door

228. The Soul Exploring the Recesses of the Grave

229. The Counsellor, King, Warrior, Mother & Child, in the Tomb

230. The Reunion of the Soul & the Body

231. Robert Blair, The Grave, Title Page

232. The Meeting of a Family in Heaven

233. The Soul Hovering over the Body reluctantly Parting with Life

234. The Day of Judgment

235. The Death of the Good Old Man

236. The Grave, A Poem, by Robert Blair

237. [Violante, ridden by Buckle]. Ms. inscription 'A Bay Mare got by John Bull, her dam own sister by Skyscraper by Highflyer..'

238. Holy Island Cathedral

239. Red Grouse

240. The Palace of Whitehall as it appeared about the Reign of James II

241. Veue et Perspective du Palais du Roi d'Angleterre a Londres que s'apelle Whitehall

242. The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

243. Delicious Weather

244. Delicious Dreams! Castles in the Air! Glorious Prospects!

245. The Apotheosis of the Corsican Phoenix

246. Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

247. Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!

248. The Grave, A Poem, by Robert Blair

249. The Grave, A Poem, by Robert Blair

250. Miss Kitty Stephens

251. William Blake, Frontispiece

252. The Descent of Man into the Vale of Death

253. Death's Door

254. The Soul Hovering over the Body reluctantly Parting with Life

255. The Reunion of the Soul & the Body

256. Death's Door

257. The Right Honourable Robert Banks Jenkinson, 2nd Earl of Liverpool

258. Whitehall Gate, Said to be designed by Hans Holbein

259. Christ Descending into the Grave

260. Wood-Cock Shooting

261. Design for the Gardens in the Regent's Park Belonging to the Zoological Society

262. Nicholas Berghem

263. Boney and his Horse Talley - Returning to Paris with a Spanish Cargo

264. Nap and his Partner Joe

266. A series of portraits drawn by George Dance, Esq., and engraved by Wm. Daniell.

267. Thomas Gillbank, basket maker and turner : 50 Grays Inn Lane.