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Date 1818

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1. [ Caricature of two men and a woman, one of the men blowing smoke ]

[ Caricature of two men and a woman, one of the men blowing smoke ]
Creator:
Print made by unknown artist
Date:
ca. 1823
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. [Fox-Hunting]: A Hunting Phaeton - A Party Going to Cover

No cover image available
Creator:
Charles Hunt, 1803–1877
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/2 x 17 3/8in. (31.8 x 44.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A pair: 1. The Reading Coaches.

A pair: 1. The Reading Coaches.
Creator:
Robert Havell, 1769–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/4 x 15 5/8in. (27.3 x 39.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A pair: 2. The Oxford and Oppostion Coaches.

A pair: 2. The Oxford and Oppostion Coaches.
Creator:
Robert Havell, 1769–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 5/8 x 15 3/4in. (27 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A South East View of London, Before 1666

A South East View of London, Before 1666
Creator:
Bartholomew Howlett, 1767–1827
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A View of Cold Harbor in Thames Street, London

A View of Cold Harbor in Thames Street, London
Creator:
unknown artist
Date:
1818
Materials & Techniques:
Engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 1/16 × 11 5/8 inches (23 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A View of Cold Harbour in Thames Street

A View of Cold Harbour in Thames Street
Creator:
unknown artist
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A View of Oxford from the Abingdon Road

A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View of Oxford from the Abingdon Road

A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 1/2 × 28 1/2 inches (57.2 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. An Interior View of Cold-Bath Fields Prison

No cover image available
Creator:
Thomas Rawson, 19th century
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Antiquities at Pola, Frontispiece

Antiquities at Pola, Frontispiece
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Antiquities at Pola, Frontispiece

Antiquities at Pola, Frontispiece
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Line engraving and etching engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Aske Hall

Aske Hall
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/16 × 19 7/16 inches (33.2 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Aysgarth Force

Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 15/16 inches (29.8 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Aysgarth Force

Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Benjamin West, Esq., President of the Royal Academy of London

Benjamin West, Esq., President of the Royal Academy of London
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818
Materials & Techniques:
Etching, stipple engraving and line engraving on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957

17. Benjamin West, Esq., President of the Royal Academy of London

Benjamin West, Esq., President of the Royal Academy of London
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818
Materials & Techniques:
Line engraving and stipple engraving on thick, slightly textured, cream laid paper with beige chine collé
Dimensions:
Sheet: 19 11/16 x 13 3/8 inches (49.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Bridge at Narni

Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1818-1820
Materials & Techniques:
Line engraving, and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 7/16 inches (29.8 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Brighton and Beachy Head, on the Coast of Sussex

Brighton and Beachy Head, on the Coast of Sussex
Creator:
Print made by James Baily, active 1815–1834
Date:
1818
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

20. Brignall Church

Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Mount: 11 13/16 × 16 3/4 inches (30 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Cascade of Terni

Cascade of Terni
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Clifton Spring and Woods near Maidenhead

Clifton Spring and Woods near Maidenhead
Creator:
Robert Havell, 1769–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Cornhill, London as it appeared in 1630

Cornhill, London as it appeared in 1630
Creator:
Bartholomew Howlett, 1767–1827
Date:
1818
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Dandies Having a Treat

Dandies Having a Treat
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
1818
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/8 x 15 11/16 inches (25.7 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. David Wilkie, R.A.

David Wilkie, R.A.
Creator:
William James Ward, ca. 1800–1840
Date:
1818
Materials & Techniques:
Mezzotint on medium, smooth, beige wove paper mounted on board
Dimensions:
Mount: 28 7/16 × 20 5/8 inches (72.2 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Doll, A Celebrated Pointer

Doll, A Celebrated Pointer
Creator:
after James Barenger, 1780–after 1831
Date:
1818
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

29. East & West Looe, Cornwall

East & West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and line engraving, early first proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. East & West Looe, Cornwall

East & West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Egglestone Abbey, near Barnard Castle

Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Egglestone Abbey, near Barnard Castle

Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Egglestone Abbey, near Barnard Castle

Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Epsom Races

No cover image available
Creator:
James Pollard, 1792–1867
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 x 17 5/8 inches (30.5 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Exterior View of Astley's Amphitheatre

Exterior View of Astley's Amphitheatre
Creator:
Print made by Charles John Smith, 1803–1838
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

36. Fall of the Tees

Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/16 × 18 3/4 inches (33.2 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Fall of the Tees

Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Filho da Puta and Sir Joshua

Filho da Puta and Sir Joshua
Creator:
Print made by William Ward, 1766–1826
Date:
1818
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/2 × 23 1/4 inches (49.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Florence, from Fiesoli

Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1820
Materials & Techniques:
Line engraving, and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 17 1/4 inches (28.3 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Florence, from Fiesoli

Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1820
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Florence, from the Ponte Alla Carraia

Florence, from the Ponte Alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Florence, from the Ponte alla Carria

Florence, from the Ponte alla Carria
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Fox and Partridges

Fox and Partridges
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1818
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

45. Fox hunting / painted by Dean Wolstenholme ; engraved by Sutherland.

No cover image available
Creator:
Sutherland, Thomas, approximately 1785–approximately 1825
Date:
1817
Physical Description:
4 prints : aquatints ; sheets 28 x 68 cm
Collection:
Rare Books and Manuscripts

46. Guard Chamber

Guard Chamber
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1818
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Hampstead Heath, Middlesex

Hampstead Heath, Middlesex
Creator:
Daniel Havell, 1785–1826
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Hardraw Fall

Hardraw Fall
Creator:
Print engraved by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 13/16 × 16 1/4 inches (27.5 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Hardraw Fall

Hardraw Fall
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Herstmonceux Castle for the history and description of the Sussex Coast

Herstmonceux Castle for the history and description of the Sussex Coast
Creator:
Charles John Smith, 1803–1838
Date:
undated
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 14 5/8 × 11 inches (37.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection