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Period 19th century

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Malvern Hall, Warwickshire
Creator:
John Constable, 1776–1837
Date:
1820 to 1821
Materials & Techniques:
Oil on canvas
Dimensions:
21 1/2 x 30 3/4 inches (54.6 x 78.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Ruins of the College of Lincluden, near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1806
Materials & Techniques:
Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for A Winter's Tale
Creator:
Thomas Grieve, 1799–1882
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 12 3/4 inches (18.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Porch, Reims Cathedral
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1840
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Versailles
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Graphite, watercolor, white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Hyde Park and St. James' Park Entrance
Creator:
Sir John Soane, 1753–1837
Date:
ca. 1826
Materials & Techniques:
Watercolor and graphite on three joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 50 1/4 inches (40 × 127.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Covent Garden Drop Curtain
Creator:
Thomas Grieve, 1799–1882
Date:
1823
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 10 1/8 inches (23.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
Creator:
Decimus Burton, 1800–1881
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 9/16 x 32 1/2 inches (47.1 x 82.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Two Headless Classical Statues
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 10 1/2 inches (25.1 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Façade de l'Eglise de Brou
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867
Date:
1852 or 1854
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dining Room at Newby Hall, Yorkshire
Creator:
John Buckler FSA, 1770–1851
Date:
1816
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Palace, Stirling Castle
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1893
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 6 7/8 inches (30.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Palace of the Stuarts
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1898
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
St. Mark's No. 2
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 9 3/8 inches (35.6 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
St. Mark's, No. 3
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching and drypoint on laid paper
Dimensions:
Plate: 10 15/16 x 7 7/16in. (27.8 x 18.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Interior of a Church
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Essex Chantry, Watford Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Baron's Hall
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1844
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Plate: 6 7/8 x 9 13/16 inches (17.4 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Lincoln Cathedral
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1837
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 13/16 × 8 5/8 inches (14.8 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lion Brewery on the Thames, 1860
Creator:
David Roberts, 1796–1864
Date:
1860
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 × 6 13/16 inches (12.7 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
York House: Longitudinal Section from North to South
Creator:
George Gladwin, active 1820s–1830s
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 11 9/16 inches (24.2 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Duomo at Brescia
Creator:
David Roberts, 1796–1864
Date:
1851
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 9 7/8 inches (17.8 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. George's Hall, Liverpool: Interior Elevation
Creator:
Charles Robert Cockerell, 1788–1863
Date:
ca. 1853
Materials & Techniques:
Graphite, pen and gray ink and watercolor on slightly textured, moderately thick, wove paper
Dimensions:
Sheet: 11 1/4 × 7 1/8 inches (28.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection