Exhibition HistoryThe Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
Attributed to Francis Xavier Vispré, active 1730–1790
Louis François Roubiliac
ca. 1760
103
Colen Campbell, 1676–1729
Lowther House, Westmorland: Elevation of the Garden Front
between 1718 and 1729
104
Thomas Daniell, 1749–1840
Main Entrance of the Jami Mosque, Jaunpur
1797 to 1807
105
John Smart, 1741–1811
Major General Sir Barry Close
1794
106
Robert Dighton, 1752–1814
Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
1786
107
Andrew Plimer, 1763–1837
Mary and Nathaniel Jefferys
undated
108
William Day, 1764–1807
Matlock Baths, Derbyshire
ca. 1789
109
John Harris, 1770–1834
Men of War Lying off Sheerness
undated
110
Alexander Cozens, 1717–1786
Mountainous Landscape
ca. 1780
111
Daniel Gardner, 1750–1805
Mrs. Justinian Casamajor and Eight of her Children
1779
112
John Robert Cozens, 1752–1797
Near Chiavenna in the Grisons
ca. 1779
113
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
114
William Taverner, 1703–1772
Nymphs Bathing in a Wooded Glade
ca. 1765-1770
115
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
116
Gilpin, William, 1724–1804
Observations on the river Wye,
1792
117
William Kent, ca.1686–1748
Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation
ca. 1738
118
Orme's Pocket sketch book
[1799]
119
Dubreuil, Jean, 1602–1670
Perspective practical
1698
120
Thomas Rowlandson, 1756–1827
Place des Victoires, Paris
ca. 1783
121
John Webber, 1752–1793
Pont-y-Pair on the River Llugwy near Betws-y-Coed, Denbigh
1791
122
George Dance, 1741–1825
Portrait of a Boy
August 3, 1793
123
Hugh Douglas Hamilton, 1739–1808
Portrait of a Divine
after 1791
124
George Engleheart, 1753–1829
Portrait of a Gentleman
1787
125
Abraham Daniel, died 1806
Portrait of a Gentleman
undated
126
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
127
Attributed to Bernard Lens III, 1682–1740
Portrait of a Young Man
undated
128
Sir Thomas Lawrence, 1769–1830
Portrait of William Lock II of Norbury Park, Surrey
ca. 1800
129
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
130
Edward Dayes, 1763–1804
Queen Square, London
1786
131
Smith, John Thomas, 1766–1833
Remarks on rural scenery
1797
132
John Donaldson, 1737–1801
Richard Cooper the Elder
undated
133
Alexander Cozens, 1717–1786
Roman Sketchbook
1746
134
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
135
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
136
Abraham Louis Rodolphe Ducros, 1748–1810
Ruins of the Basilica of Maxentius in the Roman Forum
1779
137
Grose, Francis, 1731?-1791
Rules for drawing caricaturas
1788
138
Joseph Mallord William Turner, 1775–1851
Saint Augustine's Gate, Canterbury
ca. 1793
139
William Daniell, 1769–1837
Sankrydroog, Madras
1792
140
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
141
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
142
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1733
143
Sir, there is a scheme set on foot for erecting a publick academy for the improvement of the arts of painting, sculpture and architecture ..
1753
144
Jonathan Richardson the Elder, 1667–1745
Sir. Hans Sloane
1740
145
John Nixon, ca. 1760–1818
Skating in St. James' Park
ca. 1790
146
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
147
Sir John Soane, 1753–1837
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
ca. 1779
148
Thomas Patch, 1725–1782
Sketchbook of Portrait Studies
1760s
149
Luigi Balugani, 1737–1770
Sphyrna zygaena (Hammer-headed Shark)
1765-1773
150
Julius Caesar Ibbetson, 1759–1817
St. James' Park, Summer
1796
151
Giovanni Battista Borra, 1713–1770
Stromboli
1750
152
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
153
John Singleton Copley, 1738–1815
Study for the Central Group in the "Death of Earl of Chatham"
1778
154
Allan Ramsay, 1713–1784
Study for the Portrait of William Guise
ca. 1761
155
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
156
John Opie, 1761–1807
Study of a Classical Female Figure
undated
157
William Hogarth, 1697–1764
Study of a Female Nude
undated
158
Samuel Davis, 1760–1819
Tassisudon
1783
159
Richard Wilson, 1713/4–1782
Temple of Minerva Medica, Rome
1754
160
Hogarth, William, 1697–1764
The analysis of beauty
1753
161
Stubbs, George, 1724–1806
The anatomy of the horse
1766
162
Richard Wilson, 1713/4–1782
The Arbra Sacra on the Banks of Lake Nemi
between 1754 and 1756
163
Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
164
The artist's vade mecum
1766
165
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
166
Langley, Batty, 1696–1751
The city and country builder's, and workman's treasury of designs, or, The art of drawing, and working the ornamental parts of architecture
1740
167
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
168
Thomas Jones, 1742–1803
The Claudian Aqueduct and Colosseum
1778
169
The compleat drawing-master;
1766
170
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
171
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
172
Bowles, Carington, 1724–1793
The draughtsman's assistant, or, Drawing made easy
[ca. 1801]
173
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
174
Hipwell, John
The elements of navigation
1759
175
Samuel Hieronymus Grimm, 1733–1794
The English Lady at Paris
1771
176
The excellency of the pen and pencil,
1688
177
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
178
The florist
[ca. 1760]
179
Samuel Hieronymus Grimm, 1733–1794
The French Lady in London
ca. 1771
180
John Brown, 1749–1787
The Geographers
undated
181
Jonathan Skelton, active 1754, died 1758
The Great Gate of St. Augustine's Monastery, Canterbury
1757
182
Sir William Chambers, 1723–1796
The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway
ca. 1760-1764
183
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785
184
John Robert Cozens, 1752–1797
The Lake of Albano and Castle Gandolfo
ca. 1779
185
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
186
Bernard Lens III, 1682–1740
The Memorial of Lord Darnley
1728
187
Paul Sandby, 1731–1809
The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle
1783
188
Bickham, George, 1684?-1758?
The museum of arts
1745?]
189
Paul Sandby, 1731–1809
The Norman Gate and Deputy Governor's House
ca. 1765
190
Paul Sandby, 1731–1809
The North Terrace, Looking East
ca. 1765
191
Junius, Franciscus, 1589–1677
The painting of the ancients, in three bookes: declaring by historicall observations and examples, the beginning, progresse, and consvmmation of that most noble art. And how those ancient artificers attained to their still so much admired excellencie
1638
192
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
193
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
194
Dubreuil, Jean, 1602–1670
The practice of perspective
1743
195
The principles of drawing, design, and engraving;
1800
196
Lairesse, Gérard de, 1640–1711
The principles of drawing, or, An easy and familiar method whereby youth are directed in the practice of that useful art