Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

1794

Print made by William Blake, 1757–1827

Water; Plate 4

1793

Print made by William Blake, 1757–1827

Air; Plate 6

1793

Print made by William Blake, 1757–1827

Alas!; Plate 9

1793

Print made by William Blake, 1757–1827

Help! Help!; Plate 12

1793

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This?; Plate 14

1793

Print made by William Blake, 1757–1827

Death's Door; Plate 17

1793

Print made by William Blake, 1757–1827

Earth; Plate 5

1793

Print made by William Blake, 1757–1827

Fire; Plate 7

1793

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 2, Title Page

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

ca. 1788

Print made by William Blake, 1757–1827

Jerusalem, Plate 100

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 2, Title Page

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 25, "And there was heard...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 1, Frontispiece

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 27, "To the Jews...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 32, "Leaning against the pillars...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 35, "Then the Divine hand...."

1804 to 1820

William Blake, 1757–1827

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

1797

William Blake, 1757–1827

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

1797

William Blake, 1757–1827

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

1797

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

1794

William Blake, 1757–1827

Plate 15 (page 25): 'Behold him, when past by; what then is seen'

1797

William Blake, 1757–1827

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

1797

William Blake, 1757–1827

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

1797

William Blake, 1757–1827

Plate 21 (page 37): 'Love, and love only, is the loan for love'

1797

William Blake, 1757–1827

Plate 22 (page 40): ' Angels should paint it, angels ever there'

1797

William Blake, 1757–1827

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

1797

William Blake, 1757–1827

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

1797

William Blake, 1757–1827

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

1797

William Blake, 1757–1827

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

1797

William Blake, 1757–1827

Plate 41 (page 92): 'When faith is virtue, reason makes it so'

1797

Print made by William Blake, 1757–1827

Jerusalem, Plate 51

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 76

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 1, Frontispiece

1793

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11 (Bentley 17)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

1793

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 1, Frontispiece

1794

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater (1787-1801)

1800

William Blake, 1757–1827

Chaucer's Canterbury Pilgrims

1810 to 1820

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

Text by William Blake, 1757–1827

A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

1809