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William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 31, "His western heaven...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 31, "His western heaven...."
1804 to 1820
William Blake Jerusalem, Plate 32, "Leaning against the pillars...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
William Blake Jerusalem, Plate 35, "Then the Divine hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
William Blake Jerusalem, Plate 42, "Thus Albion sat...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
William Blake Jerusalem, Plate 47, "From Camberwell to Highgate...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
William Blake Jerusalem, Plate 5, "The banks of the Thames...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
William Blake Jerusalem, Plate 59, "And formed into Four precious stones...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 59, "And formed into Four precious stones...."
1804 to 1820
William Blake Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
1804 to 1820
William Blake Jerusalem, Plate 63, "Jehovah stood among the Druids...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 63, "Jehovah stood among the Druids...."
1804 to 1820
William Blake Jerusalem, Plate 66, "In awful pomp & gold...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 66, "In awful pomp & gold...."
1804 to 1820
William Blake Jerusalem, Plate 7, "Was living: panting...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 7, "Was living: panting...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 80, "Encompassd by the frozen net...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Five Visionary Heads of Women
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
undated
George Romney Study of Three Women
George Romney, 1734–1802
Study of Three Women
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney David before Saul
George Romney, 1734–1802
David before Saul
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
George Romney Figures Mourning at the Bier of a Woman
George Romney, 1734–1802
Figures Mourning at the Bier of a Woman
undated
George Romney The Accusation of Susanna
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
George Romney Seated Woman: Three Studies
George Romney, 1734–1802
Seated Woman: Three Studies
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney Three Lamenting Women
George Romney, 1734–1802
Three Lamenting Women
undated
George Romney Three Young Witches
George Romney, 1734–1802
Three Young Witches
undated
George Romney The Accusation of Susanna by the Elders
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated