Subject Terms: men and palm trees - YCBA Collections Search Search Results

1. Mameluke purchasing an Arabian stallion

Creator:: George Henry Laporte, 1799–1873
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/8 x 21 1/8 inches (43.5 x 53.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Grey Arabian mare and foal, with a family

Creator:: George Henry Laporte, 1799–1873
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/8 x 21 1/8 inches (43.5 x 53.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Opposite Beni Hassan

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 15/16 x 9 13/16 inches (15.1 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Fishing Cove near Columbo

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 × 19 5/16 inches (37.7 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Puckally

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:: Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Albanian Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 7/8 x 6 13/16 inches (7.3 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Oriental Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Campos sur les bords du Rio das Velhas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1805
Materials & Techniques:: Watercolor, pen and gray ink, black ink, blue ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 11/16 × 17 inches (29.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Ivory Coast, West Africa

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 9/16 inches (37.5 x 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Udaipur, 1916

Creator:: Print made by Charles W. Bartlett, 1860–1940
Date:: 1916
Materials & Techniques:: Color woodblock print on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 15 15/16 inches (28.9 x 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. The Cathedral, Palma

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1928
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 18 1/8 inches (28.7 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

20. Basrah Creek

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

21. Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, gray ink, brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, gray ink, brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Glasgow Exhibition: Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

24. The Bride, Paul and Virginia, the Chalees Satoon, East India

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on thick cream card
Dimensions:: Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Bridge of Boats, Baghdad

Creator:: Print made by Charles William Cain, 1893–1962
Date:: 1921
Materials & Techniques:: Drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 15 7/16 inches (25.5 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

26. Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, gray ink, brown ink, graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 7 7/16 inches (12.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Irrawaddy Nights

Creator:: Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, light blue laid paper
Dimensions:: Sheet: 13 1/16 x 17 9/16 inches (33.2 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

28. Loading Dates

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.2 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

29. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Creator:: Print made by W. Pyott, active late 18th century
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Point de Galle, Ceylon (Sri Lanka)

Creator:: Charles Dyce, active 1848
Date:: ca. 1849
Materials & Techniques:: Watercolor over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Natives of Cochin Playing Shuttlecock in China

Creator:: William Alexander, 1767–1816
Date:: 1792 to 1794
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Rosetta, Egypt

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, slightly textured cream laid paper
Dimensions:: Sheet: 3 5/8 × 7 1/2 inches (9.2 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Egyptian River View with Water Woman

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/2 inches (11.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 5/8 inches (32.2 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

35. Madras

Creator:: William Daniell, 1769–1837
Date:: ca. 1792
Materials & Techniques:: Gray wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 3/8 × 24 1/16 inches (41.6 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 9/16 x 12 13/16 inches (44.6 x 32.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

37. Turkish Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 11/16 x 7/8 inches (6.8 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Scottish Scenes. Albanian Scenes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite and watercolor on textured, thick, beige wove paper
Dimensions:: Sheet: 13 13/16 × 20 3/4 inches (35.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Greek set

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into eight scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 13/16 x 7/8 inches (7.2 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Oasis at Daybreak

Creator:: Print made by Edward Julius Detmold, 1883–1957
Date:: between 1911 and 1930
Materials & Techniques:: Drypoint and etching on medium, smooth, beige parchment
Dimensions:: Sheet: 11 7/8 x 19 1/8 inches (30.2 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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Subject Terms men

Subject Terms palm trees

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1. Mameluke purchasing an Arabian stallion

2. Grey Arabian mare and foal, with a family

3. Opposite Beni Hassan

4. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

5. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

6. Fishing Cove near Columbo

7. The Puckally

8. The Rescue of Lot

9. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

10. George Pritchard, Her Britannic Majesty's Consul

11. Albanian Scenes

12. Oriental Scenes

13. Campos sur les bords du Rio das Velhas

14. Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"

15. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

16. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

17. The Ivory Coast, West Africa

18. Udaipur, 1916

19. The Cathedral, Palma

20. Basrah Creek

21. Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat

22. Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands

23. Glasgow Exhibition: Entrance from the Piazza

24. The Bride, Paul and Virginia, the Chalees Satoon, East India

25. Bridge of Boats, Baghdad

26. Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees

27. Irrawaddy Nights

28. Loading Dates

29. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

30. Point de Galle, Ceylon (Sri Lanka)

31. Natives of Cochin Playing Shuttlecock in China

32. Rosetta, Egypt

33. Egyptian River View with Water Woman

34. The Piazza

35. Madras

36. Entrance from the Piazza

37. Turkish Scenes

38. Scottish Scenes. Albanian Scenes.

39. Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain

40. Greek set

41. Oasis at Daybreak